Subseries consists of records relating to the exhibit Ancient Cloth …Ancient Code? It was coordinated by Elizabeth Johnson and curated by Mary Frame. It was installed at MOA from March 4 to May 24 of 1992. The exhibit focused on textiles from various ancient societies from present day Peru. Records include grant applications, budgets, memos, correspondence and photographs.

Subseries consists of records relating to the exhibit "Proud to be Musqueam: Dedicated to Our Children." The exhibit was coordinated by Lizanne Fisher and Elizabeth Johnson. It was installed at MOA in 1989; a travelling version was later created. Subseries includes agreements, Anthropology 341 course outline, brochures, correspondence, exhibit labels, funding proposal, memos, notes, permission forms, phone message, articles from conferences, newspapers and professional journals, and a student paper.

Subseries consists of a newsletter pertaining to the exhibit “Nunavutmiutanik Elisasiniq.” This exhibit was installed at the MOA from April - September 1999. This exhibition honours the people of Nunavut, and features more than one hundred examples of contemporary and historic sculptures, prints, and drawings.

Subseries consists of notes pertaining to the exhibit “Wearing Politics, Fashioning Commemoration: Factory Printed Cloths of Ghana”. This was a student exhibit by Michelle Willard. The exhibit was coordinated by Elizabeth Johnson. This exhibit was installed at MOA in February 2004.

File contains images of Robert Davidson and his work featured in the exhibit <i>Raven Bringing Light to the World</i>. This exhibit was on at the Museum of Anthropology, UBC in 1986.

File includes one photograph of Canadian Museum of History Object ID VII-G-354 which is a Tsartlip grave figure. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and three photographs of MOA Object ID A50000 a, b, c, and d which is a totem pole separated into four parts. The images depict the object in its original form prior to separation. The contents of this file were used to create object labels for MOA's Great Hall.

File includes ten photographs and one drawing of MOA Object ID A50002 a, b, and c which is a totem pole separated into three parts. The images depict the object in its original form prior to separation. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and two photographs of MOA Object ID A50005 a, b, and c which are house boards. The photographs are annotated with handwritten information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and six photographs of MOA Object ID A50006 which is a totem pole. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File includes one drawing and 11 photographs of MOA Object ID A50019 and other surrounding totem poles. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

File contains images of objects used in the exhibit.

File contains images of a painting created by Patricia Richardson Logie. The painting depicts a portrait of Blanche MacDonald. In addition, are images of the opening of the exhibit <i>Chronicles of Pride</i> in the great hall of the Museum of Anthropology.

Subseries contains images of objects in the exhibit <i>Sensibilities: Unsuspected Multicultural Harmonies</i>. Images show the exhibit displays and objects in the exhibit.