File contains images of objects created by artists: Robert Davidson, Charles Edenshaw, Dempsey Bob, Tim Paul, Richard Hunt, and Bill Reid. All objects were used in the exhibit <i>The Legacy: Continuing Traditions of the Northwest Coast Indian Art</i>.

Subseries contains images of textiles.

Subseries contains images of exhibit titled <i>Popology</i>.

File contains images of the exhibit <i>Popology</i>.

File contains images of objects that were in the exhibit <i>The Copper that Came from Heaven</i>.

Subseries contains images of the opening ceremony for the exhibit titled <i>Eulachon: A Fish to Cure Humanity</i>.

Subseries contains images showing artworks portraying people fishing.

File contains images of artwork showing people fishing.

File contains images of the <i>Roy Vickers, "Beginnings"</i> exhibit.

Subseries consists of two negatives of the O Canada student exhibit.

ref # 1-1-AAA-1

File contains images of a painting titled "Carrier of the Sweat Lodge" by John Laford. This painting was shown in the exhibit titled <i>Spirits in the Rock</i>.

Subseries consists of images of the Benetton student exhibit.

File contains images of bentwood boxes used for public relations for the exhibit. In addition are correspondence with the CBC, and a copy of pages from the guest book from the exhibit.

The records in this series relate to the planning and development of the 1976 Guatemalan Highlands textile exhibit. The records in the series are primarily visual materials, however other subjects include the design of wall texts for the exhibit and notes on the items to be included in the show. While slides are the predominant form of material in this series other record formats include notes, memoranda, negatives, and photographs.

Series consists of records relating to exhibits Karen Duffek curated or was involved with in another capacity. The records span the entire breadth of the intellectual creation process, including research, funding, administrative concerns, exhibition design and installation, and publication. The series includes supplemental information about artists’ careers, correspondences, contracts, final reporting, publications relating to artists and the exhibitions, grant applications, educational exhibit materials, transcripts of interviews and public lectures, event planning, budgets, photographs, as well as exhibition publication development.

The series is arranged into 12 sub-series, each one relating to a specific exhibition:
Sub-series 2-A: Robert Davidson: “The Abstract Edge” (2004-2005)
Sub-series 2-B: Edgar Heap of Birds: “Wheel: Overlays” (2007)
Sub-series 2-C: Mike Nicholl [Yahgulanaas]: “Meddling in the Museum” (2007-2008)
Sub-series 2-D: Willy White: “My Ancestors are still Dancing” (2002-2004)
Sub-series 2-E: Bill Reid: “Gathering Strength” (2000-2004)
Sub-series 2-F: Multiplicity: A New Cultural Strategy (1993-1994)
Sub-series 2-G: Carl Beam Exhibit (2011)
Sub-series 2-H: Nicholas Galanin: “Raven and the First Immigrant” (2010)
Sub-series 2-I: Annie Ross: “Forest One” (2012)
Sub-series 2-J: “A Green Dress: Objects, Memory, and the Museum” (2011-2012)
Sub-series 2-K: Ishiuchi Miyako “ひろしま Hiroshima” (2011-2012)
Sub-series 2-L: Border Zones: New Art Across Cultures (2010)
Sub-series 2-M: Bill Reid: Beyond Essential Form (1986)
Sub-series 2-N: Anspayaxw (Satellite Gallery, 2013)
Sub-series 2-O: Cindy Sherman meets Dzunuk'wa (Satellite Gallery 2014)