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Parte de William McLennan (MOA Curator) fonds
File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.
Parte de William McLennan (MOA Curator) fonds
File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.
Parte de William McLennan (MOA Curator) fonds
Parte de William McLennan (MOA Curator) fonds
File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.
21 June 1958 Alert Bay Centennial Celebrations
Parte de Diane Elizabeth Barwick fonds
Item is a photograph of a procession of people walking down a road in Alert Bay in ceremonial dress (button blankets, headdresses) and regular clothes. Mungo Martin and Daisy Neel lead the group in the front row.
The fonds consists of 7 photographs from a June 1958 centennial [centenary] celebration in Alert Bay that Barwick described as having been ordered from a local cameraman. There are also 7 postcards that contain images of Alert Bay ca. 1949 or 1950 that were purchased by Barwick in the summer of 1958. Sixteen negatives were taken by Barwick at an excavation at Beach Grove in the Fraser River delta in June of 1957, likely done under the guidance of Charles Borden, a Lecturer and later Professor of Archaeology at UBC who studied the Beach Grove site from ca. 1955 to 1958. Notes on the envelope indicate these negatives include images of D. N. Abbott, Colin McCafferty, and Nansi Swayze.
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21 June 1958 Alert Bay Centennial Celebrations
Parte de Diane Elizabeth Barwick fonds
Item is a photograph of men gathered together for an event celebrating British Columbia's centennial in Alert Bay in 1958. They are sitting down in front of a painted wall and some are wearing ceremonial dress, such as button blankets and woven cedar headbands. A drum and a painted dance screen [thunderbird?] on fabric are also visible. Men in the photograph include: Charles Nowell, Billy Assu, and George Scow.
Research and Publications Records
Series consists primarily of records relating to the publication of Art of the Kwakiutl Indians (first published 1967), including correspondence with various publishing houses, reviews of the book, research notes, copies and revisions of the book, bibliographies, appendices and documents relating to the photographs used in Art of the Kwakiutl Indians. The series also contains several drafts of A Labour of Love (first published 1993), book reviews written by A. Hawthorn about other authors' works, research materials for other publications and exhibits at MoA, and three folders entitled Kwakiutl Ceremonial Art, Museum of Anthropology U.B.C. Vol. 1-3 (may have been intended as a catalogue of MoA holdings).
The series has been divided into the following subseries:
A. Art of the Kwakiutl Indians
B. Kwakiutl Ceremonial Art
C. A Labour of Love
D. Exhibits and Other Research
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A totem pole lying on the floor of the Museum of Anthropology
Parte de MOA General Media collection
A totem pole lying on the floor of the Museum of Anthropology as it is being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers raising a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers raising a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers securing a totem pole in the Museum of Anthropology
Parte de MOA General Media collection
Workers securing a totem pole in the new Museum of Anthropology as it was being moved from Totem Park to the new Museum of Anthropology building.
This pole was carved by George Hunt Sr. The pole is now part of the museum's collection. This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Workers tie a totem pole to a trailer
Parte de MOA General Media collection
Workers tie a totem pole to a trailer as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole lying on a truck trailer
Parte de MOA General Media collection
A totem pole lies on a truck trailer as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole being lifted by a crane
Parte de MOA General Media collection
A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.
A totem pole being lifted by a crane
Parte de MOA General Media collection
A totem pole being lifted by a crane to move it from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.
View of the Great Hall from the O'Brian Gallery
Parte de MOA General Media collection
View of the Great Hall from the O'Brian Gallery in the Museum of Anthropology. A carving of an ancestor figure is visible on the viewer's right.