Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.

Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.

Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.

Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.

Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.

Image of Bill Reid, seated, holding a carved wooden mask of an animal head.

The back of a photograph of Wilson Duff, Harry Hawthorn, Bill Reid and John Smyly under a shelter on Skunnggwaii llanas (Anthony Island). The image was taken during the Ninstints expedition to retrieve 11 totem poles from the area. Back of item #a035183-1.

Image depicts a child leaning against the base of a totem pole. The pole shows a human figure with an open mouth. See also item a034827 for another view of this pole.

According to George Read, Stanley Read's son, the pole in the image is the Half Way Out pole of Delgamuukw's house; the boy is Harry Brown, whose Gitxsan name is Xsuwii 'Guus.

Image depicts a totem pole from Gitsegyukla (Skeena Crossing). Read`s notes call this the Pole of Mawlarhen. Depictions of frogs and an owl are visible. See also item a03426 for another view of this pole.

Image depicts a a close up of a totem pole with a human figure holding a bear. This appears to be a pole from Kitwanga, also depicted in item a034845.

Image depicts a carving of an animal that resembles a mountain lion. This carving is a part of the Poles of Arhteeh in Kitwanga.

Image depicts at least eight totem poles in an open area next to a wooden structure. A mountain can be seen in the distance.

Image depicts three young boys posed together with water and boats in the background. Notes indicate that this photograph may have been entered in a UBC staff photography competition in the early 1950s.

Image is a head and shoulders portrait of a girl. Printed on verso is photographer information which reads "S. A. Spencer, Photographer, FORT STREET, Victoria, B. C." An additional inscription in pencil reads "Martha".

Image is a portrait of a woman wearing a dress and posed with what appears to be furs. Printed on the verso is the photographer information which reads: "S. A. Spencer, Photographer, Victoria B. C." Additional handwritten inscriptions on the verso read "1002", "no. 23", "Sarah A[?]".

Image is a posed group portrait of two men, three women, and a girl seated together on an elaborate tile floor. All people pictured are wearing blankets. In the center front of the people is a fur and a small woven basket. Photographer information printed on verso with the inscription "Mrs. R. Maynard, PHOTOGRAPHIC ARTIST, AND DEALER IN All KINDS OF PHOTOGRAPHIC MATERIALS. Stereoscopic and Large Views of British Columbia and Vancouver Island for sale. Corner of Douglas and Johnson Sts, VICTORIA, B. C."

Image is a posed portrait of two men seated on chairs. Handwritten inscription on verso reads "Fort Rupert Chiefs, B. C."

Image is a posed portrait printed in an oval shape of two people leaning on a tree stump. The figure on the left is in city clothes and the figure on the right is wrapped in what appears to be a wool trade blanket. The image appears to have been cut out from another source and mounted on the carte de visite card. Below the oval photograph is a printed inscription that has been trimmed off: "CHIEF OF TH [...] W. COAST V. I." Printed on the verso is the photographer information with the inscription "N. SHAKESPEARE, Photographer, GOVERNMENT STREET. Victoria, V. I."