- 89-a039253
- Item
- [1893-1911]
Brass band posed to be photographed
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Brass band posed to be photographed
Ketchikan and Kitwancool Totems and Views
Parte de Minn Sjolseth fonds
File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."
Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux
Parte de William McLennan (MOA Curator) fonds
The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.
Parte de Anthony Carter fonds
Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."
Sem título
Parte de Anthony Carter fonds
Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."
Sem título
Mt. Currie [reserve], Matilda Jim
Parte de Anthony Carter fonds
Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."
Sem título
Mt. Currie [reserve], Matilda Jim
Parte de Anthony Carter fonds
Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."
Sem título
Parte de William McLennan (MOA Curator) fonds
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
Old carved house post, village of Chief Kitselas
Parte de Anthony Carter fonds
Image of the remains of a house post from the village of Chief Kitselas.
Sem título
Parte de E. Polly Hammer fonds
(Replica) Tsimshian memorial poles #9, 10, Thunderbird Park, Victoria, B.C.
Parte de E. Polly Hammer fonds
Parte de William McLennan (MOA Curator) fonds
File mainly contains photocopies of architectural drawings and plans of the Bella Coola house that was part of the CMC House project. Other records include a list of artists from Bella Coola who were potential candidates to work on the house, and research information.
[Bill Reid carving Spirit of Haida Gwaii model]
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
[Bill Reid carving Spirit of Haida Gwaii model]
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Parte de William McLennan (MOA Curator) fonds
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.