Last pole at Aiyansh on Nass [River]
- 51-01-30-a035208
- Item
- [194- or 195-?]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
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Last pole at Aiyansh on Nass [River]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Brass band posed to be photographed
Ketchikan and Kitwancool Totems and Views
Parte deMinn Sjolseth fonds
File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
Old carved house post, village of Chief Kitselas
Parte deAnthony Carter fonds
Image of the remains of a house post from the village of Chief Kitselas.
Sin título
Parte deE. Polly Hammer fonds
(Replica) Tsimshian memorial poles #9, 10, Thunderbird Park, Victoria, B.C.
Parte deE. Polly Hammer fonds
Parte deAnthony Carter fonds
Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."
Sin título
Parte deAnthony Carter fonds
Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."
Sin título
Mt. Currie [reserve], Matilda Jim
Parte deAnthony Carter fonds
Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."
Sin título
Mt. Currie [reserve], Matilda Jim
Parte deAnthony Carter fonds
Portrait of Matilda Jim, resident of the Stl'al'lmx Mount Currie Reserve. She is seen here weaving a basket. A portrait of her is printed on page 43 of Carter's book Abundant Rivers, with the caption: Matilda Jim, 106 years old. One of the village's most active basket makers. She spends her days weaving to meet a constant demand for her wares."
Sin título
Douglas Kenny, Jules Léger, and Michael Ames
Parte deMOA General Media collection
From viewer's left, University President Douglas Kenny, and Museum of Anthropology Director Michael Ames, at the opening of the Museum of Anthropology.
From all over the place, Jack Peters with coppers
Parte deAnthony Carter fonds
Image of a Jack Peters seated at a table with copper remnants. Peters is described in Carter's book "From History's Locker," as being the "only year-round resident" of Dead Point reserve ("Tga-tsuamuquame").The pieces of copper are "from one of the last great potlatches."
Sin título
Tsilhqot'in/Secwepemc/Stl'al'lmx/Nlaka'pamux
The majority of the file contains historical images of the Tsilhqot'in, Secwepemc, Stl'al'lmx, and the Nlaka'pamux peoples. The photographs depict village life, including images of building structures in the BC interior, fish processing techniques such as fish drying, and carvings such as mortuary poles. Some of the images also depict First Nations people, some in regalia. The other images are official photographs taken by various museums in Canadian and American museums of Tsilhqot'in, Secwepemc, Stl'al'lmx, or Nlaka'pamux artifacts. The textual records contained in this file consist of a photocopy of a magazine article titled "Upstairs, downstairs: the early years," written by Heather Pringle, and published in the June 1996 (Volume 111, number 5) edition of the magazine Saturday Night.
Mrs. Cramner (?) and Mrs. Alfred
Two women in ceremonial dress pose against a painted exterior wall.
Decorated exterior wall of building
Image depicts the exterior wall of a building, possibly under construction. The wall includes the outlines of a whale and possibly a Thunderbird, but has not been painted.
Parte deCarol Mayer fonds
File includes photographs of people fishing for eulachon.
Parte deWilson Duff fonds
File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.
Histories, territorial laws of the Kitwancool
Parte deWilson Duff fonds