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NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of Norman’s Mischievous Man blanket design.
Crew loking at NormanTait’s Mischievous Man blanket
Item is a b&w negative of a photograph of crew looking at Norman’s button blanket. Info in text from WHERE THE PEOPLE GATHER or paperback TOTEM POLE CARVING pp. 34-37.)
Fonds consists of a copy of Wilson’s “Kitlope Report: Various Haisla Artifacts” and a poster with map designed by Wilson, titled "Kitamaat: People of the Snow" and featuring Haisla place names.
Zonder titel
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks display at the Museum of Anthropology at the University of British Columbia.
Zonder titel
Kwakwaka'wakw mask display at U.B.C. Museum of Anthropology
Part of Anthony Carter fonds
Image of Kwakwaka'wakw masks display at the Museum of Anthropology at the University of British Columbia.
Zonder titel
Series contains records relating to Jensen and Powell’s work with the Salishan language groups in Musqueam and Shalalth territories, and events related to those communities. Although the records were created in a number of villages at different periods of time, Jensen and Powell arranged them together due to the linguistic connection they share.
In 1975 Powell received an Urgent Ethnology grant from the National Museum of Man (Now the Canadian Museum of Civilization) to do linguistic work in Kitamaat. However, this work fell through, and Powell contacted Arnold Guerin of the Musqueam band to discuss using the grant to prepare materials for Guerin’s Hunqum’i’num classes. Together they planned to produce three books: one of phonetics, one on grammar, and one on maths, with Jensen’s assistance in the layout and photography. From reel-to-reel recordings Powell and Paul Thiele of the UBC Library for the Blind produced cassettes to accompany the books. Only the first book was completed as planned, but Powell adapted the notes they had already taken to create two books for younger children. All of this resulted in Musqueam Language: Book 1 and Hunq’um’i’num for Kids: Books 1 & 2. Three years later in 1978 Leona Sparrow hired Jensen on grant money to teach a black and white photography course.
In 1989 the principal of the Shalalth School asked Powell to work with the band on language books. With Harold Oldman and Bev Frank he compiled materials for two books, which were not published. He also completed an alphabet sheet for the community to use.
Series also includes photographs taken by Jensen in 2003 of a ceremony returning city land to the Musequeam near Vanier Park.
Series comprises four sub-series:
A. Field notes and research
B. Publications
C. Musqueam photographs
D. Salishan audio recordings
E. Squamish photographs
Douglas Kenny, Jules Léger, and Michael Ames
Part of MOA General Media collection
From viewer's left, University President Douglas Kenny, and Museum of Anthropology Director Michael Ames, at the opening of the Museum of Anthropology.
![[Bill Reid carving Spirit of Haida Gwaii model]](/uploads/r/null/1/9/6/196ba795ecd636cd01dff8e56623a7a71ed2868c74b1e8f96da3e2d284140642/a035105c_142.jpg)
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
![[Bill Reid carving Spirit of Haida Gwaii model]](/uploads/r/null/5/2/f/52fefb5652bdb84503406bd89607e21905a877f4faa336d607b4a49d332eb5fc/a035112c_142.jpg)
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
![[Bill Reid carving Spirit of Haida Gwaii model]](/uploads/r/null/d/2/e/d2ef514aa5443f288d2cd5738763189dfa65add4320e8882dfc15ca2ab1b5b7f/a035114c_142.jpg)
[Bill Reid carving Spirit of Haida Gwaii model]
Image of Bill Reid carving a model of his sculpture The Spirit of Haida Gwaii. The photograph was taken by William McLennan in Reid's Granville Island studio.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid sitting next to his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
Bill Reid with Raven in MOA Rotunda
Image of Bill Reid leaning against his sculpture, Raven and the First Men. The photograph was taken by William McLennan in the Museum of Anthropology.
![[Bill Reid holding mask]](/uploads/r/null/e/c/9/ec9db9b84f12a455ff8d1762320a173eb932c791bfb29524dd66bdfada3e1741/a035137c_142.jpg)
Image of Bill Reid, seated, holding a carved wooden mask of an animal head.