- 1-4-E-1-29
- Dossiê
- [ca. 2005]
File includes one drawing and one photograph of MOA Object ID A50020 and another totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
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File includes one drawing and one photograph of MOA Object ID A50020 and another totem pole. The contents of this file were used to create object labels for MOA's Great Hall.
Rattles on display in Montréal
Parte deMOA General Media collection
Rattles on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Chilkat blanket, feast dishes, and spoons on display in Montréal
Parte deMOA General Media collection
Chilkat blanket, feast dishes, and spoons on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Boardwalk, Old Aiyansh, Nisga'a
Parte deAnthony Carter fonds
Image of a boardwalk through the old Nisga'a village of Aiyansh, in the Nass River valley of BC.
Sin título
Able Derek, Old Aiyansh, Nass River, Nisga'a
Parte deAnthony Carter fonds
Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"
Sin título
Parte deAnthony Carter fonds
Image of Bessie Haizinqua in the old village of Aiyanch. A colour version of this image is printed on page 138 of Carter's book Abundant Rivers, with the caption: "Bessie Haizinqua - a proud young Nishga woman. Walking along the pathway through the old village of Aiyanch. She carried a bowl of bear meat; the scene was primitive and beautiful."
Sin título
Brass band posed to be photographed
Ketchikan and Kitwancool Totems and Views
Parte deMinn Sjolseth fonds
File consists of slides depicting totems and views labeled as in Kispiox, Kitwancool, Ketchikan, Haida, Kitseguckla, Skedans, and Kingcome. File also consists of slides documenting two of Minn Sjolseth's paintings entitled "En av de Siste" (sp?) and "Peace."
File mainly contains historical images of the Nisga'a villages, peoples, and of Nisga'a totem poles. Other images are of modern day Nisga'a totem poles housed in museums in Canada and the United States. The textual records contained in this file are catalogue cards which provide some of the photograph's context, providing information such as the location of the photograph, the people in the photographs, which museum and/or archive collection the image belongs to, and/or the image's catalogue number.
Totem pole being secured in the Great Hall
Parte deMOA General Media collection
A worker on a ladder secures a totem pole that has recently been moved in the Museum of Anthropology's Great Hall.
Last pole at Aiyansh on Nass [River]
Parte deHarry B. Hawthorn fonds
Pole is largely uncarved, except for a bird perched on top. Mountains are visible in the background.
Parte deAnthony Carter fonds
Image of totem poles, canoes, and longhouses(?) in the Nass River valley of BC.
Sin título
Old Aiyansh, Nass River, Nisga'a
Parte deAnthony Carter fonds
Image of the old Nisga'a village of Aiyansh in the Nass River Valley, BC.
Sin título
File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.
Chilkat blanket, feast dishes, and spoons on display in Montréal
Parte deMOA General Media collection
Chilkat blanket, feast dishes, and spoons on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte deMOA General Media collection
Image of a cradle constructed largely using kerfs to bend a long board. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
Able Derek, Old Aiyansh, Nass River, Nisga'a
Parte deAnthony Carter fonds
Portrait of Able Derek, Nisga'a. A similar portrait of him is printed on page 136 of Carter's book Abundant Rivers, with the caption: Abel Derek at Gitlakdamix, now called Old Aiyanch 'I am just a common man.'"
Sin título
Lecture on Women and bears, February 26, 1974
Parte deWilson Duff fonds
Item is an audio recording of a lecture given by Wilson Duff on “Women and Bears.” Duff uses the story of the woman who married a bear, represented in a Haida sculpture, to frame a discussion of the disenfranchisement of First Nations women under the Indian Act, the Lavell case (AG v. Lavell, 1971) and the Bedard case (R v. Bedard, 1973), and Haida and Nisga’a art. Lecture is recorded on both Side A and Side B.
File contains images of Norman Tait and his work at various stages of his career. In addition is a copy of transcript of an interview with Norman Tait conducted by Marjorie Halpin.