Hayati Mokhtar & Dain-Iskander Said
- 102-02-L-07
- Dossiê
- 2008 - 2010
Parte de Karen Duffek fonds
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Hayati Mokhtar & Dain-Iskander Said
Parte de Karen Duffek fonds
Thamotharampillai Shanaathanan
Parte de Karen Duffek fonds
Parte de Karen Duffek fonds
Bill Reid: Beyond the Essential Form
Parte de Karen Duffek fonds
Series consists of two photographic prints made by photographer Ulli Steltzer. Both images were used in Duffek’s book Bill Reid: Beyond the Essential Form, which was published as part of the Museum Note series in conjunction with the Museum of Anthropology’s 1986 exhibition of the same name. One image is from the pole raising ceremony for one of Reid’s pole at Skidegate in 1978. The other shows a canoe carved by Reid being paddled at Skidegate in April 1986.
Parte de Karen Duffek fonds
Sub-series consists of records relating to the exhibit Cindy Sherman meets Dzunuk'wa. This exhibit, co-curated by Duffek, was at the Satellite Gallery in 2014. The Satellite Gallery was an experimental exhibition space shared between Charles H. Scott Gallery (ECUAD), the Morris and Helen Belkin Art Gallery (UBC), the Museum of Anthropology (UBC), and the Presentation House Gallery. The gallery is closed as of June 2015.
Cindy Sherman meets Dzunuk'wa, Satellite Gallery
Parte de Karen Duffek fonds
Robes of power: Totem poles on cloth
Parte de William McLennan (MOA Curator) fonds
Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.
Other [photographs of Anthony Island]
Parte de William McLennan (MOA Curator) fonds
File contains images of Anthony Island, and one of Wilson Duff doing archaeology.
Parte de William McLennan (MOA Curator) fonds
Subseries consists of images used in the book Cowichan Indian Knitting and textual records relating to the production of the book. In addition are the images used in the exhibit which was shown in the Museum of Anthropology September 23 – November 9, 1986.
File 1: Images used in booklet
File 2: Images used in exhibit
File 3: Images of the exhibit
Parte de William McLennan (MOA Curator) fonds
File contains images used in the exhibit and the museum note that accompanied the exhibit titled Cowichan Indian Knitting.
Parte de William McLennan (MOA Curator) fonds
File contains the booklet titled Cowichan Indian Knitting. This publication is No. 21 in the series Museum Note.
Parte de William McLennan (MOA Curator) fonds
File contains correspondence between the curator of the exhibit, Marg Meikle and those in the photographs.
Parte de William McLennan (MOA Curator) fonds
Subseries contains images used in a a publication titled Hands of Our Ancestors: The Revival of Salish Weaving at Musqueam written by Elizabeth Johnson and Kathryn Bernick as well as the publication itself. This publication is part of the Museum Notes program at the Museum of Anthropology.
File 1 - 3: [Photographs ]
File 4: [Transparencies, negatives]
File 5:[Book]
File 6: [Draft of book]
File 7: [Photographs]
Parte de William McLennan (MOA Curator) fonds
File contains photographs of the exhibit Hands of Our Ancestors.
Parte de William McLennan (MOA Curator) fonds
File contains a copy of the publication titled Bill Reid: Beyond the Essential Form, written by Karen Duffek. This book is No. 19 in the Museum Note series.
Parte de William McLennan (MOA Curator) fonds
File contains edited copies of exhibit text.
Parte de William McLennan (MOA Curator) fonds
File contains several iterations of one image used in the exhibit.
Parte de William McLennan (MOA Curator) fonds
File contains images of exhibit text and an image of photographer Richard Hill standing in front of his photographs.
Parte de William McLennan (MOA Curator) fonds
File contains images used in the exhibit and in the book <i>The Third Eye</i>.
Parte de William McLennan (MOA Curator) fonds
Subseries consist of images showing a beaded object, possibly associated with the 1982 exhibition Beads: Selections from the Textile Collection of the Museum of Anthropology.