I Have Seen the Other Side of the World - Masks of the Northwest Coast
- 100-2-C
- Sub-séries
- 1988
Parte de Carol Mayer fonds
Museum of Anthropology
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- 100-2-I
- Sub-séries
- 1988-1992
Parte de Carol Mayer fonds
From Classical to Modern: Javanese Shadow Play Figures
- 100-2-J
- Sub-séries
- 1988-1991
Parte de Carol Mayer fonds
- 100-2-L
- Sub-séries
- 1989-1991
Parte de Carol Mayer fonds
- 100-2-M
- Sub-séries
- 1988-1995
Parte de Carol Mayer fonds
British Columbia Contemporary Ceramics
- 100-2-U
- Sub-séries
- 1991
Parte de Carol Mayer fonds
- 100-2-V
- Sub-séries
- 1991
Parte de Carol Mayer fonds
- 100-2-Z-44
- Dossiê
- ca. 1988
Parte de Carol Mayer fonds
File includes photographs of people fishing for eulachon.
- 100-2-DD
- Sub-séries
- 1992-1996
Parte de Carol Mayer fonds
- 100-2-DD-2
- Dossiê
- 1995
Parte de Carol Mayer fonds
Ancient Lives: The Maya of Guatemala
- 100-2-JJ
- Sub-séries
- 1998
Parte de Carol Mayer fonds
- 100-2-NN
- Sub-séries
- 1994
Parte de Carol Mayer fonds
- 100-2-UU
- Sub-séries
- 2010-2011
Parte de Carol Mayer fonds
- 100-2-XX
- Sub-séries
- 2008-2009
Parte de Carol Mayer fonds
Pleased to Meet You: Introductions
- 100-2-YY
- Sub-séries
- 2012
Parte de Carol Mayer fonds
- 100-3-D
- Sub-séries
- 1998-1999
Parte de Carol Mayer fonds
- 100-3-G
- Sub-séries
- 2002
Parte de Carol Mayer fonds
Site to Sight: Imaging the Sacred
- 100-3-I
- Sub-séries
- 2004
Parte de Carol Mayer fonds
Robert Davidson – Rainbow Creek dancers at opening of “Raven Bringing Light”
- 1-4-B-29 (22.2)
- Dossiê
- [2002]
Parte de William McLennan (MOA Curator) fonds
File contains images of Robert Davidson and the Rainbow Creek Dancers performing. In addition are digital files taken by Steven Muchnick and Eric Milliren of the event as well as images of the Museum of Anthropology and objects in a private collection.
Lyle Wilson: When World’s Collide Theater Gallery
- 1-4-B-57 (24.2)
- Dossiê
- [?]
Parte de William McLennan (MOA Curator) fonds
File contains images of Lyle Wilson's sculptural artworks. In addition this file contains postcards, exhibit text, and Wilson's and Bill McLennan's notes regarding the exhibit When World's Collide.
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