Museum exhibitions

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Museum exhibitions

Museum exhibitions

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Museum exhibitions

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Museum exhibitions

2351 Archival description results for Museum exhibitions

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Wider view of basket exhibition

Wider view of basket exhibition

Image of a number of displays from the exhibit "North American Indian Basketry and Technology." Shows several examples of baskets. Many items for this exhibit were borrowed from the University of Washington to supplement the museum's collection.

Wider view of Japanese culture and art exhibit

Wider view of Japanese culture and art exhibit

Wider view showing several displays from the exhibit "Japanese Culture and Art." The Kabuki and Noh theatre displays are most visible. This exhibit was done on the arrival of materials collected by Dr. Ronald Dore of the department of Asian Studies who directed the installation of this exhibit.

Wider view of the Japanese Culture and Art exhibit

Wider view of the Japanese Culture and Art exhibit

Wider view of the "Japanese Culture and Art" exhibit. Shows displays including several figurines, items related to the tea ceremony, and a miscellaneous display. This exhibit was done on the arrival of materials collected by Dr. Ronald Dore of the department of Asian Studies who directed the installation of this exhibit.

Willie White

File contains images of the exhibit My Ancestors are Still Dancing. In addition are textual records relating to the exhibit such as budget and outlines.

Willy White: “My Ancestors Are Still Dancing”

The records in this sub-series relate to Willy White’s 2002 exhibition on Chilkat and Raven’s Tail weaving, My Ancestors Are Still Laughing. During his exhibition at the Museum of Anthropology, Willy White began weaving a gwishalaayt, or Chilkat robe. The weaving was later finished at his home in Prince Rupert, British Columbia. In 2004, a “taking off of the loom” ceremony and feast was held to celebrate the completion of the gwishalaayt. Though Elizabeth Johnson was the curator for this exhibition, Duffek worked closely with her, and the files relate to Duffek’s involvement with in the process. File contents relate to exhibition research and planning, draft exhibit texts, correspondences, transcripts of interview with the weavers, and recordings of the final ceremony.

Without Masks: Contemporary Afro-Cuban Art

Subseries consists of records related to the graphic design for the Without Masks exhibit, on display at the Museum of Anthropology May 2 - November 2, 2014. The exhibit was curated by Cuban poet, art critic and curator Orlando Hernández.

Woman in G?aw

Woman in G?aw

Item is an image of a woman walking away from the camera with three buildings and a totem pole in the background. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

Woman in G?aw

Woman in G?aw

Item is an image of a woman by a building. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago

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