Kwakwa̱ka̱ʼwakw

Référentiel

Code

Note(s) sur la portée et contenu

Note(s) sur la source

Note(s) d'affichage

Termes hiérarchiques

Kwakwa̱ka̱ʼwakw

Terme générique First Nations

Kwakwa̱ka̱ʼwakw

Termes équivalents

Kwakwa̱ka̱ʼwakw

  • Employé pour Kwakkewlths
  • Employé pour Kwakiutl
  • Employé pour Kwakwakawakw
  • Employé pour Kwakkewlths

Termes associés

Kwakwa̱ka̱ʼwakw

767 description archivistique résultats pour Kwakwa̱ka̱ʼwakw

767 résultats directement liés Exclure les termes spécifiques

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of three young women, and two young girls standing in ceremonial dress (button blankets; carved and painted [wolf?] mask; and headdresses made of woven cedar, weasel(?), abalone, and eagle feathers). They are gathered for an event celebrating British Columbia's centennial in Alert Bay in 1958. Daisy Neel is in the centre wearing the frontlet and her twin sisters are the young girls in front of her. Emma Sewid [Seewid; Seaweed?] and Mabel Sewid [Seewid; Seaweed?] are on either sides of them.

21 June 1958 Alert Bay Centennial Celebrations

Item is a photograph of a procession of people (men, women, children) in ceremonial dress (button blankets, headdresses) walking away from the ferry terminal dock [?] in Alert Bay. The procession is led by Mungo Martin and Daisy Neel. A man dressed in regular clothes, smoking a pipe looks on from the left.

A50007

File includes two drawings and eight photographs of MOA Object ID A50007 a, b, and c which are interior house posts as well as images of the village from where they came. The photographs are annotated with handwritten and typed information about their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.

A50041

File includes one drawing and two photographs of MOA Object ID A50041 which is a house front totem pole. The contents of this file were used to create object labels for MOA's Great Hall.

Reverend Smith Stanley Osterhout fonds

  • 89
  • Fonds
  • [1870-1911]

Fonds consists of 45 glass-plate lantern slides featuring scenes from Osterhout's work with B.C. First Nations, including Haida, Tsimshian and Kwakwaka'wakw. Images document First Nations individuals, communities, totem poles and landscapes of British Columbia.

Sans titre

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole being lifted by a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being lifted by a crane

A totem pole hanging horizontal from a crane as it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Workers prepare a totem pole to be set down

A totem pole hangs horizontal from a crane while workers prepare for it to be set down in the Museum of Anthropology. This photograph was taken while it was in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole lying on the floor of the Museum of Anthropology

A totem pole lies on the floor of the Museum of Anthropology while it is in the process of being moved from Totem Park to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole being prepared to be lifted

A workers climbs down from a scaffolding from which he was preparing a totem pole for being moved from its position in Totem Park to the new Museum of Anthropology building. This totem pole was originally carved by Charlie James and later restored by Mungo Martin.

Scaffolding surrounds a totem pole

Scaffolding surrounds a totem pole standing in Totem Park in preparation for moving it to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

A totem pole standing in Totem Park

A totem pole standing in Totem Park before being moved to the new Museum of Anthropology building. This pole was carved by Mungo Martin and later restored by him at the University of British Columbia in 1950-51. It stood in Totem Park until it was moved to the new Museum of Anthropology building in 1975.

Résultats 181 à 200 sur 767