Two totem poles standing in Totem Park. The pole on the viewer's right was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

This pole was carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters." The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.

Image depicts a close up of a totem pole, wrapped in plastic and encased in a packing crate.

Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.

Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.

Image depicts two rectangular wooden panels carved with a variety of figures and crests. Central to both carvings is a figure with large ovoid eyes. These may be the McMichael lintels.

Image depicts two rectangular wooden panels carved with a variety of figures and crests. Central to both carvings is a figure with large ovoid eyes. These may be the McMichael lintels.

Image depicts two rectangular wooden panels carved with a variety of figures and crests. Central to both carvings is a figure with large ovoid eyes. This view shows details of the carvings' left sides. These may be the McMichael lintels.

Image depicts a painting filled with ovoid shapes that seem to comprise at least one creature. Painting is done in black on white with highlights of red.

Image depicts five children dressed in regalia.

Image depicts the interior of a big house, possibly at Alert Bay, BC. People are dressed in regalia and some kind of event is in progress.

Image depicts a painting of the myth of habitat creation. Painting is done in black and red on white.

Image depicts a painting of D'zonoqua, done in red and black on white. Additional notes indicate this work was painted by Douglas Cranmer in 1964 or 1965.

Image depicts a painting of a sea eagle inside an ovoid form. Additional notes indicate this painting was made by Douglas Cranmer in 1964 or 1965.

Image depicts a portion of a wood relief carving that focuses on the eyes and nose.

Image depicts a wood relief carving that has been partially completed. This carving appears to be stored inside, and a totem pole rests behind it.

Image depicts a portion of a wood relief carving that may represent a wing. An extension cord hangs in the photo and a woodworking tool is visible in the top left portion of the print.

Image depicts a small carving that may represent an eagle.