- 132-3-B-1-MAN-019
- Item
- [195-]
Parte de MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
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Parte de MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Parte de MOA General Media collection
Item is an audio recording of women and men singing Haida songs with drum accompaniment. There is no speaking in between songs.
Traditional singing and storytelling by George Myers Part 7
Parte de MOA General Media collection
Item is the seventh of eight audio recordings of George Myers of Riske Creek, British Columbia singing in the Chilcotin language, with drum accompaniment. He speaks in English in between songs about his spiritual beliefs and work as a medicine man.
Chief Henry Weah - Haida - Masset, Graham Island, BC, 1919
Parte de Harlan Smith collection
Gives his age as sixty seven years old and is the lighthouse keeper. Wiah Point between
Masset Inlet and Naden Harbour was named after his uncle
Parte de William McLennan (MOA Curator) fonds
File consists of photographic prints depicting Oweekeno cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50006 in MOA's Great Hall.
Several dishes on display in Montréal
Parte de MOA General Media collection
Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte de MOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte de MOA General Media collection
Dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Wide view of the potlatch gallery in Montréal
Parte de MOA General Media collection
Wider view of items from the Museum of Anthropology on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Wide view of the potlatch gallery in Montréal
Parte de MOA General Media collection
Wider view of items from the Museum of Anthropology on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Chilkat blanket and argillite sculptures on display in Montréal
Parte de MOA General Media collection
Chilkat blanket and argillite sculptures on display in Montréal for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Argillite sculptures in the winter dance room
Parte de MOA General Media collection
Argillite sculptures in the winter dance room as part of the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Argillite sculpture in the winter dance room
Parte de MOA General Media collection
Argillite sculpture in the winter dance room as part of the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Argillite sculptures in the winter dance room
Parte de MOA General Media collection
Argillite sculptures in the winter dance room as part of the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Parte de Harry B. Hawthorn fonds
Image of a section of a totem pole, featuring a beaver, on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50013). This museum item has the following description: "Base section of a wooden totem pole, crescent shaped in cross section and carved in shallow and deep relief. Depicted is a seated beaver with one potlatch ring between erect ears; protruding upper incisors; raised forepaws and hind paws grasping chewing sticks. Below its rectangular shaped crosshatched tail is a human face with large circular eyes. Traces of blue in eye sockets and around nostrils... Beaver was one of crests owned by the lineage of Chief Ninstints (Tom Price), 'Those Born Up the Inlet', of the Eagle moiety... Remainder of pole, except top figure, burned when the village was burned in 1892 by the Koskimo and the crew of a sealing schooner. ."
House beams, front or rear, Anthony Island
Parte de Harry B. Hawthorn fonds
Totem pole or house post, Anthony Island
Parte de Harry B. Hawthorn fonds
House frontal totem pole, Anthony Island
Parte de Harry B. Hawthorn fonds
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
Parte de Harry B. Hawthorn fonds
Parte de Harry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."