From accompanying note, sent to Wilson Duff by Peter Williams, President of Kitwancool: "This is the recording made by Mrs. Edith Campbell, Gwas-Lam's Wife, at our meeting with the Honourable Minister of Indian Affairs Mr. Judd Buchanan in Kitwancool on the iith. day of November 1974, A.D. I present two briefs, the big one is the voice of the aborigines, the short one is the voice of the Indian citizens of Canada. The records was so small but that was the best she can do and I had to transcribe it using my own recorder. I use 3 3/4 speed and the recorder is a four tracks stereo made in Japan called 'AIWA'. The Kitwancool people are very pleased for what you have done when you were in OTTAWA." Letter dated Nov. 13, 1974.

Chief “Bob” Selqua of Pavilion – Lillooet Indian village. Says his ancestors painted a man pictograph every time a chief died. The pictures of stars around one of the men indicate his greatness and some of the pictures represent bear tracks

The series consists primarily of material accumulated and/or created by Gillian Darling Kovanic during her travels abroad, both as a student of anthropology and a filmmaker. This series includes field research conducted by Kovanic with the Kalash in Pakistan, the Kom/Kati tribes in Pakistan and Afghanistan, the Orissa in India, the Haida on the Queen Charlotte Islands [Haida Gwaii], British Columbia and the Kwakwaka’wakw in Alert Bay, British Columbia. Much of her fieldwork is made up of a study of the languages and cultural practices of the people being studied.

Included in the series are eleven field notebooks, a handwritten Kalash’a dictionary, a notebook containing information on the ethnographic materials collected by Darling, which now reside with the Royal Ontario Museum, and approximately 4502 photographs, including slides, negatives, prints and digital photos. Also included are a number of academic and popular articles collected by Kovanic, which compliment her field research, including a unique, handwritten article by Wazir Ali Shah, secretary to the last ruler of Chital, Mehtar, in 1977, which was written after the original manuscript was lost. The series also contains published material, comprised of a teaching kit titled “Kalash Bread-making: From Field to Feast” and the Wakhi Language Book by Haqiqat Ali.

Sub-series consists of mostly textual records in addition to photographs, negatives, slides and contact sheets. The textual records are both handwritten and typed notes, as well as publications of other authors. Research topics undertaken by Halpin include Tsimshian art, Marius Barbeau’s work, the Kitwancool, Gitksan art and William Beynon. Photographs and negatives are mostly of masks, totem poles and rattles.