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The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.
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The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.
The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.
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The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.
The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.
Collection consists of the following items:
001: The Four Seasons – Spring – Interior [1979?]
002: The Four Seasons – Spring – Coast [1979?]
003: The Four Seasons – Summer – Interior [1979?]
004: The Four Seasons – Summer – Coast [1979?]
005: The Four Seasons – Autumn – Interior [1979?]
006: The Four Seasons – Autumn – Coast [1979?]
007: The Four Seasons – Winter – Interior [1979?]
008: The Four Seasons – Winter – Coast [1979?]
009: Haida six beam house 1993
010: [Ninstints village painting] 1983
011: [Ninstints village, drawing for Museum Note] 1983
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Part of William Carr fonds
Image of William Carr setting up photography equipment at Stanley Park.
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Part of William Carr fonds
Image of totem poles in Stanley Park. From left to right: Thunderbird house post, Wakas (Wakius) Pole, Ne-is-bik Salmon Pole, and part of Thunderbird house post.
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Part of William Carr fonds
Image of the original Skedans Mortuary Pole in Stanley Park. Pole carved in Skidegate in Haida Gwaii in the 1870's.
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Ship sailing toward the inner harbour of Burrard Inlet
Part of William Carr fonds
Image of a ship sailing toward the inner harbour of Burrard Inlet viewed from Stanley Park. The Lions Gate Bridge is visible in the right corner.
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Ship sailing under Lions Gate Bridge
Part of William Carr fonds
Image of a ship sailing under Lions Gate Bridge toward the inner harbour of Burrard Inlet viewed from Stanley Park.
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Totem poles on ground, Stanley Park, Vancouver, B.C.
Part of E. Polly Hammer fonds
Part of MOA General Media collection
Aerial view of the UBC campus taken around 1956.
Part of MOA General Media collection
Image of the UBC library taken around 1927.
Part of MOA General Media collection
John Veillette doing research in the old Museum of Anthropology location in the library basement.
Part of MOA General Media collection
Audrey Hawthorn in what appears to be the rotunda at the new Museum of Anthropology building. The annotation on this slide gives the date as May 1956 but based on Audrey Hawthorn's appearance and photographs similar to this one the annotation is in error. As it is labelled as Audrey Hawthorn at a press conference, this photograph was likely taken at the press conference associated with the opening of the Museum of Anthropology's new location in 1976.
Part of MOA General Media collection
Marilyn Chechik working in the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Photograph of Gloria Cranmer Webster.
Part of MOA General Media collection
Photograph of Gloria Cranmer Webster.
Part of MOA General Media collection
Laura Greenberg working in the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Marilyn Chechik working in the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Rod Paterson lying on a shelf in the Museum of Anthropology's old location in the library basement.
Part of MOA General Media collection
Gillian Darling working in what appears to be the Museum of Anthropology's old location in the library basement.