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From all over the place, cemetery carved gate
Part of Anthony Carter fonds
Image of a cemetery, with a large wooden archway at the entrance, a few totem poles, and some crosses. The archway is carved and painted, featuring two whales on either side, and a figure perched at the top between them.
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Image of the lower/middle portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Close-up image of a figure in a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Image of the lower portion of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, Chiklesaht totem pole
Part of Anthony Carter fonds
Image of a totem pole at the village of Chiklesaht, on the northwest coast of Vancouver Island. This pole is featured on pages 126-127 of Carter's book "From History's Locker," with the caption: "The only standing totem left at the village of Chiklesaht. The carvings are Sea Otter, Seal and Bear... Bottom section of the same pole shows clearly the bear mother motif with her paws covering the eyes of a human face."
Anthony Carter
From all over the place, raising totem in Alert Bay
Part of Anthony Carter fonds
Image of a totem pole in Alert Bay, BC, at the grave of the Kwakiutl Chief Mungo Martin. The pole was carved to honor the Chief. This image shows the pole right after it has been raised, with the ropes used to raise it still attached. Additional information and images of this pole are featured on pages 28-33 of Carter's book "From History's Locker."
Anthony Carter
File consists of handwritten notes, photocopies, and photographic prints provided by other institutions of various items that may be currently or previously located in MOA's Great Hall. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA's Great Hall.
Part of Robert Reford fonds
Item is an image of a coastal village, taken from the sea. According to annotations, photograph is of G?aw (also known as Old Massett) in the Haida Gwaii archipielago taken from the Ship Islander.
Part of Robert Reford fonds
Item is an image of several buildings and totem posts. According to annotations, photograph was taken in G?aw (also known as Old Massett) in the Haida Gwaii archipielago.
Subseries consists of material relating to miscellaneous subjects related to the physical environs of the museum, including a photograph of the UBC campus, various work orders, permits as well a records relating to security and preservation of the totems at Totem park. The records in this subseries consist of a photograph, work order forms, correspondence, and memoranda.
George Hunt Sr. pole (Kwakwaka’wakw)
Part of Anthony Carter fonds
Image of totem pole carved by George Hunt Sr. The pole is now part of the museum's collection.
This pole was originally carved for the Edward S. Curtis film "In the Land of the War Canoes" which was originally titled "In the Land of the Head Hunters". The pole was repaired and re-painted by carvers Ellen Neel in 1949 and Mungo Martin in 1950-51. It stood at Totem Park, UBC Campus until it was re-located to the Museum's Great Hall in 1976.
Anthony Carter
Fonds consists of eight slides of totem poles being raised in the Haida Village at the University of British Columbia (UBC). The slides are dated May, 1962. The photographs were taken by George Szanto, the son-in-law of Geoffrey Andrew who was the Dean and Deputy President of UBC from 1947 to 1962.
The totem poles represented in the images were carved by Haida artist Bill Reid and 'Namgis artist Doug Cranmer. They were originally situated at UBC's Totem Park. They are now located on the grounds behind the Museum of Anthropology, and modelled on a 19th century Haida village.
George Szanto
Part of E. Polly Hammer fonds
![[Gerry] Marks, UBC](/uploads/r/null/6/d/0/6d08d7c29fb90b5a24559fd75ac4ce2ac6b939f7f73ed56e0f4079e4587996c7/a039543c_142.jpg)
Part of Anthony Carter fonds
Image of a person cutting a log with a chainsaw
Anthony Carter
![[Gerry] Marks, UBC](/uploads/r/null/b/b/0/bb027198381a461992d55fac5f5e59159c4c1ca161e2d779928519dbdf1bd4fc/a039544c_142.jpg)
Part of Anthony Carter fonds
Image of a person cutting a log with a chainsaw with another person on the background stabilizing the log
Anthony Carter
Giant rock oyster pole #15 (original), Saxman Park, Ketchikan, Alaska
Part of E. Polly Hammer fonds
File consists of photographic prints depicting Gitanyow cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50019 in MOA's Great Hall.
Gitanyow, Haida, Nisga'a, Oweekeno, Salish
Sub subseries consists of reproductions of photographs of totem poles and other carvings from the MOA Great Hall which were used to create object labels. Many of the photographs show the carvings in their place of origin.