Séries 02 - This is Haida records

Rudy Danielson, Alliford Bay Slate Chuck cutting argillite Slate Chuck scenery Slate Chuck scenery Slate Chuck scenery Slate Chuck beach Slate Chuck shoreline Slate Chuck Slate Chuck Slate Chuck cutting argillite Slate Chuck tree Slate Chuck Slate Chuck Spruce Roots, Slate Chuck Camp, Q.C.I. Spruce Roots, Slate Chuck Camp, Q.C.I. Spruce roots, Slate Chuck Camp, Q.C.I. Spruce roots, Slate Chuck Camp, Q.C.I. Spruce roots, Slate Chuck Camp, Q.C.I. Spruce roots, Slate Chuck Camp, Q.C.I. Spruce roots, Slate Chuck Camp, Q.C.I.
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Área de título y declaración de responsabilidad

Título apropiado

This is Haida records

Tipo general de material

  • Graphic material

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

  • Source of title proper:

Nivel de descripción

Séries

Código de referencia

02

Declaración de edición

Declaración de responsabilidad de edición

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

  • [1944?]-[ca. 1973], predominant 1967-1971 (Criação)
    Criação
    Anthony Carter

Área de descripción física

Descripción física

265 photographs : prints, slides, negatives, and transparencies

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Nombre del productor

(1920 - 1992)

Historia biográfica

Anthony Lawrence Carter, the late author, publisher and photo-journalist, was born on October 22, 1920 in Somerset, England. He and his family emigrated to Wallaceburg, Saskatchewan in 1926 and later moved to Goodsoil, Saskatchewan . The Carter family leased an acre on Lac des Isles where they farmed for a living. In 1938, Carter purchased his first camera and learned how to develop his own pictures using an old developer and instructions from a Kodak booklet. In 1939, he applied to the Royal Canadian Air Force and was accepted a year later. He continued with the RCAF and the British Institute of Sciences and Engineering until he was discharged in 1945. Following his time in the Air Force, Carter held his first public exhibit in Ontario of images he had taken across Canada. He also spent time at the First Nations village in Fort Ruper t where he began building a collection of his own photographs of the community. In 1948, Carter began working for MacKenzie Barge & Derrick as a shipwright where he took his first commercial photograph and began selling prints widely. In 1951, he decided to go into child photography, which he did exclusively for three years. Carter was also an active photo-journalist in the marine and logging fields, which led to his contributions to journals such as Western Fisheries, Canadian Truck Logger and The British Motor Journal.

While photography was Carter’s main source of income during the 1950s, he also spent his summers fishing to make a living. Around 1960, Carter purchased a 60 foot fish packer, the Wamega. He was based in Klemtu at this time and collected the history and legends of the Kynoc and Kit-is-tu people, which appeared in his first book. Carter’s publications, which include This is Haida (1969), Somewhere Between (1968), From History's Locker (1968), Wamega (1960s), and Abundant Rivers (1972), were directly inspired by First Nations people and their culture. He also wrote a book called Snowshoeing for Everyone (1975). Carter was a poet and accompanied his photos with his own text. Additionally, he undertook all aspects of designing his books for publication. Carter also worked with the National Museum of Ethnology in Osaka, Japan to develop its Northwest Coast collection, and was a consultant to the Museum of Anthropology in Vancouver, B.C.

Historial de custodia

Alcance y contenido

Series consists of images found in or related to Carter's 1969 published work. Focus is on photographic representations of First Nations communities and individuals throughout Haida Gwaii. Geographic locations include Anthony Island (Ninstins), Masset, Skedans, Skidegate, Tanu and Yan. Series also contains images related to the 1969 Masset pole raising ceremony in honor of Robert Davidson, Jr. Files are generally arranged chronologically according to subject matter and/or locality. Except where noted with square brackets, the titles for files and items in this series were taken from annotations on the original material.

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Condiciones de uso, reproducción, y publicación

Instrumentos de descripción

Materiales asociados

Acumulaciones

Descripción física

Includes:
170 photographs : col. transparencies ; 6 x 6 cm
5 photographs : col. negatives ; 10 x 13 cm or smaller
51 photographs : b&w negatives ; 7 x 11 cm or smaller
28 photographs : col. slides ; 35 mm
11 prints : col. ; 13 x 13 cm or smaller

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Puntos de acceso por autoridad

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Área de Ingreso

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados