Robert Davidson: The Abstract Edge

Taxonomy

Code

Scope note(s)

  • June 22, 2004 – January 30, 2005 (Gallery 5)
  • The Abstract Edge will bring together thirty works by Davidson with five 19th century Northwest Coast artefacts. Many of the contemporary works belong to Davidson and are being created specially for this exhibition; some will be borrowed from public and private collections. The contemporary works will include paintings on a variety of materials, sculptural works and sketchbooks. The historical objects will be drawn from the Museum and other collections.

Source note(s)

Display note(s)

Hierarchical terms

Robert Davidson: The Abstract Edge

Robert Davidson: The Abstract Edge

Equivalent terms

Robert Davidson: The Abstract Edge

Associated terms

Robert Davidson: The Abstract Edge

48 Archival description results for Robert Davidson: The Abstract Edge

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Karen Duffek fonds

  • 102
  • Fonds
  • 1978 - 2012

The fonds relate primarily to research Karen Duffek conducted and exhibitions she curated or was involved in. In addition, some files relate to publications Duffek wrote. Files consist of research materials, exhibition planning and implementation, publications and articles, correspondences, and artist interviews.
The fonds is arranged into the following two series:

  1. Research Projects
  2. Exhibitions

Karen Duffek

Robert Davidson: “The Abstract Edge”

The records in this sub-series relate to the development and implementation of the Robert Davidson exhibition The Abstract Edge at MOA. The Abstract Edge opened at the Museum of Anthropology on June 22nd, 2004 through January 30th 2005. The Abstract Edge then went on a cross-Canadian tour from 2005-2007, which was sponsored by the National Gallery of Canada.

Files consist of exhibition planning notes, research, reporting, grant applications, contracts, correspondences, event planning, articles and publications, and transcripts. Additionally, some files in the series also relate to the publication for the exhibition which Duffek wrote in conjunction with Robert Houle. Most of the photographic transparencies were taken for publication images. Other files relate to Robert Davidson in general, such as transcripts of interviews, public lectures, and past exhibitions.

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