- 25-03-11-a038139
- Item
- August 1972
Parte deAnthony Carter fonds
Image of a small inlet, seen from the shore, with small islands in the water.
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Parte deAnthony Carter fonds
Image of a small inlet, seen from the shore, with small islands in the water.
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Parte deAnthony Carter fonds
Image of a small inlet, seen from the shore, with small islands in the water.
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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]
Parte deAnthony Carter fonds
Image of brush and branches, likely near the shoreline in Nootka Sound. There appears to be a small metal pot among the branches.
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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]
Parte deAnthony Carter fonds
Image of the upper part of a totem pole in Friendly Cove, carved in honour of Captain Jack. A tree in the foreground blocks the lower portion of the pole.
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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]
Parte deAnthony Carter fonds
Image of a totem pole located at the Ehahsitaht Village site, just beyond the edge of a rocky beach. The pole is surrounded by trees. A man on the beach appears to be taking a picture of the pole.
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Ehattesaht, Esperanza Inlet, [Nuu-chah-nulth]
Parte deAnthony Carter fonds
Image of Able John wearing a mask. An image of John is printed on page 119 of Carter's book "From History's Locker," with the caption: "Able John, born at Ehahsitaht but now living at Gold River. A friendly happy man he carves authentic Nootka masks to supplement his of the earnings."
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Esperanza Inlet, Graveyard Bay
Parte deAnthony Carter fonds
Image of the lower portion of a totem pole at the Ehahsitaht Village site.
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Parte deAnthony Carter fonds
Image of a totem pole at the Ehahsitaht Village site.
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Top section of totem pole, Ehattesaht
Parte deAnthony Carter fonds
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File contains images of canoes from various Northwest Coast First Nations communities including Tsimshian, Haida, Nuxalk, Kwakwaka'wakw and Nuu-chah-nulth.
File contains images of the First Nation artists involved with the Through My Eyes exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.
This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.
Parte deMinn Sjolseth fonds
File consists of slides labeled "Andy," "Mr and Mrs Williams, Friendly Cove, Nootka," "Anthony Island Queen Charlotte Island 1967," "Minn Sketching at Yan QCI, Haida," "Kitwancool 1969," "Kasper," "Mary Ann 1967 Squamish," and "Kingcome."
Vickie Jensen and Jay Powell fonds
Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh
Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.
The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.
Fonds consists of 13 series of records. Series are arranged according to community and/or project.
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