- 25-04-01
- File
- March 16, 1960
Part of Anthony Carter fonds
File consists of images of Chief Dan George with a band, as well as an image of him by himself with a drum and a few images of the North Vancouver area.
Anthony Carter
23 results directly related Exclude narrower terms
Part of Anthony Carter fonds
File consists of images of Chief Dan George with a band, as well as an image of him by himself with a drum and a few images of the North Vancouver area.
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn), with headdress and a carved stick.
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn), with headdress and a carved stick.
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie [Tsee-Qawl-tuhn], Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
Dominic Charlie (Tsee-Qawl-tuhn), Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn), with headdress and a carved stick.
Anthony Carter
Dominic Charlie (Tsee-Qawl-tuhn), Squamish
Part of Anthony Carter fonds
Portrait of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
Anthony Carter
First Nations Chiefs, North Vancouver, B.C.
Part of A.A. Kingscote Collection
Postcard depicts a group of people standing in two rows with buildings in the background. Verso of the postcard indicates that the publisher is "The Valentine & Sons United Publishing Co. Limited" and includes an annotation in pen that reads "before visit to England / to see reigning monarch."
Part of Anthony Carter fonds
Portrait of Chief Dan George, holding a hand drum.
Part of Anthony Carter fonds
Portrait of Chief Dan George in traditional dress, holding a hand drum. The North Shore mountains are visible in the background.
Anthony Carter
Miscellaneous North Coast images
Part of Anthony Carter fonds
File consists of images form the north coast and fjords of British Columbia, as well as the North Vancouver area. Subjects include fishing boats, canoe carving, canoe paddlers and races, and rock paintings.
Anthony Carter
Ole Antoine,' Dan George, Burrard Reserve, North Vancouver holding a drum painted by Minn Sjoselth
Part of Anthony Carter fonds
Portrait of Chief Dan George in traditional dress, holding a hand drum. The North Shore mountains are visible in the background.
Anthony Carter
Ole Antoine,' Dan George, Burrard Reserve, North Vancouver holding a drum painted by Minn Sjoselth
Part of Anthony Carter fonds
Portrait of Chief Dan George in traditional dress, holding a hand drum. The North Shore mountains are visible in the background.
Anthony Carter
The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.
Ronnie Tessler