Zona do título e menção de responsabilidade
Título próprio
Michael Kew fonds (private records)
Designação geral do material
Título paralelo
Outra informação do título
Título e menções de responsabilidade
Notas ao título
- Source of title proper:
Nível de descrição
Fundo
Código de referência
Menção de edição
Menção de responsabilidade da edição
Menção da escala (cartográfica)
Menção da projecção (cartográfica)
Menção das coordenadas (cartográfico)
Menção da escala (arquitectura)
Autoridade emissora e denominação (filatélica)
Zona de datas de criação
Data(s)
Zona de descrição física
Descrição física
2468 slides : col.
0.03 m of textual records
1 audio cassette
1 floppy diskette.
Zona dos editores das publicações
Título próprio do recurso continuado
Títulos paralelos das publicações do editor
Outra informação do título das publicações do editor
Menção de responsabilidade relativa ao editor do recurso contínuo
Numeração das publicações do editor
Nota sobre as publicações do editor
Zona da descrição do arquivo
Nome do produtor
História biográfica
Dr. J.E. Michael Kew was born in Quesnel, British Columbia in 1932. Kew received his B.A. at the University of British Columbia in 1955 and was appointed the Assistant Curator of Anthropology at the Provincial Museum in Victoria from 1956-1959. Following a four-year period in Saskatchewan, where he was employed as a Community Development Officer at the Department of Natural Resources and a Research Assistant in Anthropology at the University of Saskatchewan, Kew returned to the University of British Columbia in 1965 as Instructor of Anthropology. During his appointment as Visiting Assistant Professor of Anthropology, Kew obtained his Ph.D. at the University of Washington, Seattle in 1970.
As part of his curatorial responsibilities at the Museum of Anthropology (MOA), Dr. Kew curated a special exhibition of Central Coast Salish art objects in 1980 entitled Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. In preparation for the exhibition, Dr. Kew was funded by a grant from SSHRC in 1979 to visit North American museums housing Central Coast Salish sculptural objects. The objective of his travels was to create a collection of images and documentation of the sculptures found in the various museums. The majority of the objects exhibited in Visions of Power, Symbols of Wealth came from the collections of the former National Museum of Canada and the Museum of the American Indian. The collections of the British Columbia Provincial Museum, Royal Ontario Museum, American Museum of Natural History, Field Museum of Natural History, Brooklyn Art Museum, Thomas Burke Memorial Washing State Museum and the British Museum are also represented.
At the Museum of Anthropology, Michael Kew worked as Curator of Ethnology from 1977 to 1979. He curated a MOA exhibit on central Coast Salish three-dimensional art ca. 1993-1997. He also served as chair of the Ways and Means Committee beginning in 1993 when the committee was established.
História custodial
Âmbito e conteúdo
The fonds consists primarily of slides as well as other materials generated in the course of Dr. Kew’s teaching and studies of the Northwest Coast from 1971-1996 as well as from the exhibit he curated on central Coast Salish three-dimensional art.
There is one series in the fonds:
- Teaching and Research
Zona das notas
Condição física
Fonte imediata de aquisição
The material was donated to the archives by Dr. Kew.
Organização
The slides are arranged in the order established by the creator. They are numbered consecutively 1-2111, however, some slides are missing from the sequence.
Idioma do material
Script do material
Localização de originais
Disponibilidade de outros formatos
Some of the slides have been scanned. Consult archivist for access.
Restrições de acesso
Termos que regulam o uso, reprodução e publicação
Restrictions on copyright, use and reproduction apply as follows:
Slide No.
273, 274, 275: spirit dance, Kuper Island; not to be reproduced or exhibited
409, 410: rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam
453, 454: new dancer; not to be reproduced or exhibited
455, 456, 457: ritual bathing of new dancer; not to be reproduced or exhibited
777-788, 1289: various views of rattles; not to be reproduced or exhibited without consent of owners Nathan Kew and James Kew, Musqueam
Instrumentos de descrição
A computerized inventory of the teaching slides is available.
Materiais associados
See the Michael Kew fonds (curator records) for material related to Central Coast Salish art exhibition.
Ingressos adicionais
There may be further accruals.
Nota geral
There are several duplicates of various slides located in the Archives case files.
Alpha-numeric designations
Alpha-numeric designations
The accession number for the fonds is 1999-03.
Identificador(es) alternativo(s)
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Número normalizado
Pontos de acesso
Pontos de acesso - Assuntos
Pontos de acesso - Locais
Pontos de acesso - Nomes
Pontos de acesso de género
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Descrição do identificador do registo
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Estatuto
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Datas de criação, revisão ou eliminação
Created December 8, 2015