Title and statement of responsibility area
Titel
Lynn Hill fonds
Algemene aanduiding van het materiaal
Parallelle titel
Overige titelinformatie
Title statements of responsibility
Titel aantekeningen
- Source of title proper:
Beschrijvingsniveau
Archief
referentie code
Editie
Edition statement of responsibility
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Datering archiefvorming
Datum(s)
Fysieke beschrijving
Fysieke beschrijving
10cm of textual records and graphic material
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
Other title information of publisher's series
Statement of responsibility relating to publisher's series
Numbering within publisher's series
Note on publisher's series
Archivistische beschrijving
Naam van de archiefvormer
Biografie
Lynn Hill was curator-in-residence at the Museum of Anthropology at the University of British Columbia from ca. 1998-2000, and curated the exhibit “Raven’s Reprise” (January 2000-January 2001). She is a member of the Iroquois Confederacy from the Six Nations of the Grand River and was born in Hamilton, Ontario. Hill has curated various contemporary First Nations art exhibitions, including The Traveling Alter Native Medicine Show (Vancouver, 1999), LICK (Toronto, 1997), Godi’nigoha’: The Woman’s Mind (Brantford, 1997), and AlterNative: Contemporary Photo Compositions (Toronto/Ottawa, 1995-1996). She is a founding member of the artist collective LICK and of the ALA curatorial collective.
Geschiedenis beheer
Bereik en inhoud
The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of works by contemporary Northwest Coast artists around the Museum, and was intended to challenge viewers’ expectations of Northwest Coast art by juxtaposing traditionally accepted aesthetics and technology with modern materials and urban sensibilities. Records reflect Hill’s planning of the exhibition, as well as her communication with artists involved in the exhibit and in a complimentary series of public talks. Other records relate to Hill’s work on Gallery 3 and with the Native Youth Program.
Documents include source books, correspondence, reports, training materials, budgets, grant applications, exhibit proposals, draft exhibition materials, resumes, brochures, photographs, interview transcripts, and copies of print materials.
Aantekeningen
Materiële staat
Directe bron van verwerving
Ordening
Taal van het materiaal
Schrift van het materiaal
Plaats van originelen
Beschikbaarheid in andere opslagformaten
Restrictions on access
Some files restricted. Consult archivist for details.
Termen voor gebruik, reproductie en publicatie.
Toegangen
Associated materials
Aanvullingen
Alternative identifier(s)
Standard number area
Standaard nummer
Trefwoorden
Onderwerp trefwoord
Geografische trefwoorden
Naam ontsluitingsterm
Genre access points
Beheer
Identificatie van het beschrijvingsrecord
Identificatiecode van de instelling
Regels of conventies
Status
Niveau van detaillering
Datering van aanmaak, herziening of verwijdering
Created December 2, 2015