Zone du titre et de la mention de responsabilité
Titre propre
Large-scale carvings
Dénomination générale des documents
- Graphic material
Titre parallèle
Compléments du titre
Mentions de responsabilité du titre
Notes du titre
- Source of title proper:
Niveau de description
Dossier
Cote
Mention d'édition
Mentions de responsabilité relatives à l'édition
Mention d'échelle (cartographique)
Mention de projection (cartographique)
Mention des coordonnées (cartographiques)
Mention d'échelle (architecturale)
Juridiction responsable et dénomination (philatélique)
Zone des dates de production
Date(s)
Zone de description matérielle
Description matérielle
117 photographs : col. slides ; 35 mm
Zone de la collection
Titre propre de la collection
Titres parallèles de la collection
Compléments du titre de la collection
Mention de responsabilité relative à la collection
Numérotation à l'intérieur de la collection
Note sur la collection
Zone de la description archivistique
Nom du producteur
Notice biographique
Virginia Catherine Kehoe was born in the Kitsilano neighbourhood of Vancouver on November 2, 1916. Upon marrying Bruce Kehoe, Virginia travelled with him to Ottawa, Calgary, Toronto and France as his career in the Royal Canadian Air Force lent itself to a significant amount of travel. Virginia Kehoe trained as an artist, and became close friends with Kwakwaka’wakw artist and carver Douglas Cranmer. She assisted in taking care of Cranmer’s store The Talking Stick on South Granville in Vancouver for part of its existence. Kehoe and her husband moved to Vancouver Island after Bruce Kehoe retired from the RCAF, first settling in Sooke and then moving to Victoria. Towards the end of her life, after the passing of her husband Bruce, Virginia Kehoe moved to Riverwest in Ladner, B.C. to be closer to family. Virginia Kehoe died in Ladner on September 15, 2008.
Historique de la conservation
Portée et contenu
File consists of photographs of six large-scale carving projects created by Douglas Cranmer. There are five totem poles photographed, which include a mosquito totem pole, a thunderbird, man and Sisiutl totem pole for private commission in Illinois in 1965, two smaller-scale totem poles and, predominantly, the process of carving the St. Catherine’s Centennial 40 foot totem pole in 1966, including photographs of the initial stages of carving and transportation of the pole. Photographs also show the process of creating a Nootka canoe for the Royal Museum of British Columbia building in Victoria, B.C. Photographs include sketched plans for the canoe and Douglas Cranmer and Godfrey Hunt working on the carving of the canoe outdoors and indoors.