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Preparing to make a rubbing of a totem pole carving
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer preparing to make a rubbing image (using kraft paper and crayon) of the carving on a totem pole. Another person, possibly Godfrey Hunt, assists by holding the paper.
Part of Virginia Kehoe fonds
Image depicts Douglas Cranmer in the process of removing bark from a tree. Vintage cars are visible behind him.
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Potlatch items on display in Montréal
Part of MOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
Potlatch in Campbell River in Honour of Mrs. Henderson
Potlatch at Campbell River in honour of Mrs. Henderson. Recorded by Martine de Widerspach-Thor (Reid) on May 21, 1977.
Item a: side 1-2
Item b: side 3-4
Martine J. Reid
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer carving a pole using an adze.
Part of Virginia Kehoe fonds
Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.
Plans and drawings for Nootka canoe
Part of Virginia Kehoe fonds
Image depicts Cranmer with drawings made for his Nootka canoe project for the Royal Museum of British Columbia in Victoria, B.C.
Subseries consists of material relating to a commercial tour that focused on Kwakiutl land and culture. The records in this subseries take the form of notes, correspondence, and memoranda.
File contains images of canoes from various Northwest Coast First Nations communities including Tsimshian, Haida, Nuxalk, Kwakwaka'wakw and Nuu-chah-nulth.
File contains images of the First Nation artists involved with the Through My Eyes exhibit. The images show them looking at objects in the Vancouver Museum's collection. The artists shown in the photographs are Cyril Carpenter, Ben Davidson, Robert Davidson, Norman Tait, Isabel Rorick, Doreen Jensen, Judge Alfred Scow, Lyle Wilson, Dolly Watts, Bill Reid, Glen Tallio, Richard Hunt, Terry Starr, Tim Paul, Richard Summer, Dempsey Bob, Jim Hart, and William White.
Part of Virginia Kehoe fonds
Image depicts a side view of the top of a partially painted carving featuring what may be a Thunderbird. Views of this carving can be seen in items a034483 - a034486.
Part of Virginia Kehoe fonds
Image depicts a side view of the top of a partially painted carving featuring what may be a Thunderbird. Views of this carving can be seen in items a034483 - a034486.
Part of Virginia Kehoe fonds
Image depicts a partially completed canoe filled with water.
Partially carved totem pole draped in tarps
Part of Virginia Kehoe fonds
Image depicts a partially carved pole draped in tarps. A building is visible behind the pole.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground. Doug Cranmer is visible in the lower left corner of the image; another carver works on the pole. A can of paint is visible, but not in use.
Part of Virginia Kehoe fonds
Image depicts Doug Cranmer in the early stages of carving a totem pole. Cranmer squats on one side of the pole while another man stands on the opposite side.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole resting on the ground.
Part of Virginia Kehoe fonds
Image depicts a partially carved totem pole lying on the ground. One end of the pole has had rough cuts made; the other end still has bark.