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Gives his age as sixty seven years old and is the lighthouse keeper. Wiah Point between
Masset Inlet and Naden Harbour was named after his uncle

File consists of photographic prints depicting Haida cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for MOA Object ID A50000 a, b, c, & d; A50001; A50002 a, b, & c; A50012; A50013; A50014 a & b; A50015 a & b; A50017; A50018; A50021; and A50045 in MOA's Great Hall.

File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.

Item is a sound recording of Chief William Matthews of Massett, Haida Gwaii, British Columbia discussing various topics including: the formation of Native Brotherhood of British Columbia, which was established in 1931 and is recognized as Canada’s oldest active Native organization, and a senior BC fishing organization; proceeding years of the organization’s existence including who had governance in the organization, descriptions of various delegates, which villages were represented in the organization and the growth of the organization in subsequent years; personal stories about his family; history and social structure of the village he grew up in and of Haida peoples more broadly.

File consists of images of men, women, and a girl from Haida Gwaii.

This collection consists of postcards and photographs collected by Joan Goodall. Areas depicted include Old Massett, Hazelton, Kitwangar, Port Simpson and other areas. Most images have totem poles or other massive carvings depicted.

ITEMS IN COLLECTION:
“The Museum of Northern British Columbia with the wolf totem and two Haida poles”
– 1960 – 1 postcard : colour ; 8.5 x 14 cm.

“From Joan Goodall Aug/78 – Fertility symbol used on island of [Tan] during yearly festival on island of [Tanna]” – 1978 - 1 photograph : colour ; 12 x 9 cm.

“623” [people in front of cemetery] – [19-] –1 photograph : b&w ; 14 x 9 cm.

“623” [totem pole and dead tree] – [19-] – 1 photograph : b&w ; 14 x 9 cm.

“713” [wooden sidewalk with totem poles] – [19-] - 1 photograph : b&w ; 9 x 14 cm.

“713” [view of a wooden fence with a tree flanked by matching totem poles] – [19-] – 1 photograph : b&w ; 9 x 14 cm.

“The Lion Totem of Kitwangar, BC” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Port Simpson, Totems” – [19-] – 1 postcard : b&w ; 14 x 9 cm.

“Alaska Indian Carvings” – [19-] – 1 postcard: b&w ; 9 x 14 cm.

“Indian Totem, Hazleton, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“Indian Totems, Old Massett, BC” – [19-] – 1 postcard : b&w ; 9 x 14 cm.

“1926” [two totem poles in front of a wooden house] - 1926- 1 photograph : b&w ; 11 x 7 cm.

File consists of images taken in the village of Masset on Haida Gwaii. Subjects include copper paintings, a painting of a young Haida woman, and scenery.

File consists of slides depicting First Nations chiefs and elders, Carter's wife Minn Sjolseth with August Jacks, Johnny Seaweed, miscellaneous images from Mount Currie/Lil'wat First Nation, and a photograph labeled "Potlatch Masset 60s".

Photographs are by Earl Carter.

File consists of images from a pole raising ceremony in Masset, on Queen Charlotte Island, Haida Gwaii. The pole was carved by Robert Davidson, Jr. Images show the crowd, speakers (including Davidson), the process of raising the pole, and nearby scenery.