- 94-a034823
- Item
- 1948
Part of Stanley E. Read fonds
Image depicts a part of a fallen totem pole, surrounded by foliage. The animal may be a wolf; it depicts teeth in an open mouth.
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Part of Stanley E. Read fonds
Image depicts a part of a fallen totem pole, surrounded by foliage. The animal may be a wolf; it depicts teeth in an open mouth.
Carving of Grizzly Bear of the Water
Part of Stanley E. Read fonds
Image depicts a carving of a creature that resembles a bear--with fins. The carving sits on a wooden structure, possibly a carver's bench. Several buildings can be seen behind the carving platform.
Part of Stanley E. Read fonds
Image depicts a carving of an animal that resembles a mountain lion. This carving is a part of the Poles of Arhteeh in Kitwanga.
Part of Stanley E. Read fonds
Image depicts a child leaning against the base of a totem pole. The pole shows a human figure in profile. See also item a034828 for another view of this pole.
According to George Read, Stanley Read's son, the pole in the image is the Half Way Out pole of Delgamuukw's house; the boy is Harry Brown, whose Gitxsan name is Xsuwii 'Guus.
Child and totem pole, view two
Part of Stanley E. Read fonds
Image depicts a child leaning against the base of a totem pole. The pole shows a human figure with an open mouth. See also item a034827 for another view of this pole.
According to George Read, Stanley Read's son, the pole in the image is the Half Way Out pole of Delgamuukw's house; the boy is Harry Brown, whose Gitxsan name is Xsuwii 'Guus.
Part of Stanley E. Read fonds
Image depicts a human face, probably carved in wood. The image is cropped, but it appears that trees are growing behind this sculpture. This carving may be from Kitwanga, BC, as described by Read in his journal.
Part of Stanley E. Read fonds
Image depicts a totem pole lying on the ground. Figures are difficult to identify, but the most prominent one is probably human. Read`s diary indicates that this photo was probably taken at either the Kitwanga or Kispiox village site in Gitxsan territory of the Skeena Valley..
File contains historical photographs of Gitxsan villages, with a specific focus on totem poles and various buildings in the villages. There are also some images of the Gitxsan people in regalia. The textual records contain information to some of the photographs, listing the photograph's title and the museum and/or archive it originated from.
Grizzly bear of the water carving
Part of Stanley E. Read fonds
Image depicts a close up of a carving of a creature that resembles a grizzly bear with fins on its back. This carving is similar to the one depicted in item a034843.
Part of Stanley E. Read fonds
Image depicts a a close up of a totem pole with a human figure holding a bear. This appears to be a pole from Kitwanga, also depicted in item a034845.
Part of Stanley E. Read fonds
Image depicts several totem poles standing in a row. Read's pencil notes suggest that these are the Poles of Arteeh at Kitwanga .The pole second to the right is called the Pole of the Mountain Lion. See also items a034845 and a034846.
Kitwanga totem poles, view two
Part of Stanley E. Read fonds
Image depicts several totem poles standing in a row. Read's pencil notes suggest these are the Poles of Arhteeh . See also item a034845.
Part of Stanley E. Read fonds
Image depicts a carving (possibly concrete) of a fish-like creature with a dorsal fin, mounted on stone. The inscription reads CHIEF WIEAHAKYSOU (?) Died Mar 1912 Aged 70 years.
Part of Stanley E. Read fonds
Image depicts a totem pole with an inscription indicating that it is in memorial to a Chief who died. The pole depicts two similarly carved creatures that may be owls. Several buildings are visible behind the pole and mountains can be seen in the distance.
Minn Sjoselth Paintings 73-75 Kwakiutl (Kwakwaka'wakw)
Part of Minn Sjolseth fonds
File consists of slides depicting Minn Sjolseth's paintings and labeled "Longhouse Posts Totem, Village Island, BC, 1974," "Kitwanga Village, 1967," "'Intermission' Kwakiutl, 1974," "Kwakiutl Totems, Alert Bay 1971,", "Last Totem of Skidegate QCI," "Native Cariboo Child, 1973," "Final Rest 1973," "Kwakiutl Totem 1973," "Dominic Charlie, Weather Prophet, Squamish Tribe, 1972," "Wilderness Watch, 1973," and "Basket Weaver." Many of these paintings depict individuals also photographed by Anthony Carter for his book publications.
Part of Stanley E. Read fonds
Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."
Part of Stanley E. Read fonds
Image depicts a close up of a totem pole, depicting the face of a human-like figure at its base. Read's note indicates this is the Pole of Mawlarhen at Gitsegyukla. "Raven at top; half pole uncarved; then large eagle, with folded wings; sitting frog; frog hanging with head down; bottom, the Man of the Comb whose hands, raised with palms forward are like native combs. Pole c1925, was about 40 years old. Erected to commemorate Mawlarhen and his sister Poking Bullhead. Carver local artist, Jimmy Good of the Fireweed phratry." See also item a034838 for another view of this pole.
Part of Stanley E. Read fonds
Image depicts two totem poles erected very close together. Read's notes indicate that these are the Poles of Ksrarom-Larhae, located in Gitsegyukl. "Snag-of-the-Sand-Bar pole. At the bottom the monster Hagwelaworh (?), a whale-like sea monster. "
Part of Stanley E. Read fonds
Read's handwritten journal (July 8 - August 5, 1948) of his trip from Vancouver to the Skeena River Valley and back, details the weather, road conditions, people he met, and fish caught along the way.
Part of Stanley E. Read fonds
Read's note cards detail information about three groups of totem poles and contain text and page references to Marius Barbeau's book, Totem Poles of the Gitksan, Upper Skeena River, British Columbia (published by the Canada Department of Mines and the National Museum of Canada, 1929).