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Archival description
North Vancouver
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William Carr fonds

  • 86
  • Fonds
  • [1949 or 1950]

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.

William Carr

Tsleil-Waututh, canoe paddlers

Image of two people standing next to a canoe that is propped up in a yard. The canoe, which is upside down, ha s a white strip painted along the top edge, and is labelled `St. John.

Anthony Carter

Tsleil-Waututh, canoe paddlers

Image of a canoe full of people paddling down a channel or bay. The canoe is seen from a distance, with a rocky shore visible in the foreground, and a hillside covered in buildings and forest visible in the background.

Anthony Carter

Tsleil-Waututh, canoe paddlers

Image of two people standing next to a canoe that is propped up in a yard. The canoe, which is upside down, ha s a white strip painted along the top edge, and is labelled `St. John.

Anthony Carter

Tsleil-Waututh, canoe paddlers

Image of two people standing next to a canoe that is propped up in a yard. The canoe, which is upside down, ha s a white strip painted along the top edge, and is labelled `St. John.

Anthony Carter

Salish

File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.

Ronnie Tessler fonds

  • 12
  • Fonds
  • 1986 - 1987

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

Ronnie Tessler

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