The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and ... »
The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.
Digitized 1998 - 2011 (originally created 1977 - 2011)
The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom ... »
The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.
The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast ... »
The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.
The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.
Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour ... »
Fonds consists of photographic material created by Dr. Stephen Inglis and a series of twenty-four black and white prints depicting potters in a small community in India or images of fertility statues photographed by colleague Walter Huber. The colour negatives show local artisans and their works. The black and white photos mounted on cards were created between 1974 and 1977 and show Indian craftspeople, particularly Bengalis and Tamils. The images may have been created for the purpose of Dr. Inglis’s PhD research.
CAPTION LIST FOR PRINTS: AC 2002-48-001 Siva murthi, Bastarnar AC 2002-48-002 Siva Murthi, Bastarnar AC 2002-48-003 Danteshwari Mandir Murthi, Dantewara AC 2002-48-004 Amarkantak (source of Narbada River) AC 2002-48-005 Danteshwari Mandir Murthi AC 2002-48-006 Gharwa Cire-perdue Caster, Jagdalpur AC 2002-48-007 Kumar, Nagarnar AC 2002-48-008 Nagarnar Kumar family Terracotta mata murthis and guardian figures AC 2002-48-009 Maria pillar, old form no longer made, near Gidam AC 2002-48-010 The Eyes Have It AC 2002-48-011 Kumar, Nagarnar AC 2002-48-012 Danteshwari Mandir Murthi AC 2002-48-013 L’Eternelle Idole, Rodin AC 2002-48-014 Siva murthi, Bastarnar AC 2002-48-015 Maria commemorative pillar, Bastarnar (“Bison-Horn”) AC 2002-48-016 Kumar (demonstrating pottery wheel) Nagarnar village nr, Jagdalpur AC 2002-48-017 Sonmura (source of Son River near Amarkantak Baba) AC 2002-48-018 Assi Ghat, Benares Summer ‘76 AC 2002-48-019 Kumar, Nagarnar AC 2002-48-020 Waiting for the bus near Jagdalpur AC 2002-48-021 Kumar, Nagarnar AC 2002-48-022 “Bison-Horn” Maria commemorative pillar, detail, Bastarnar AC 2002-48-023 Gharwa, Jagdalpur AC 2002-48-024 From Sonmura looking northwest *Please note that AC 2002-48-01 through AC 2002-48-024 are attributed to Walter Huber
AC2002-48-025 48-76 are 51 colour negatives that depict local craftspeople and shrines in India.
AC2002-22-001 22-160 are black and white photographic prints mounted on white card. The images depict local Indian craftspeople, particularly Bengalis and Tamils. Some are identified with location and what is happening in the photo, while some are unidentified.
Fonds consists of nitrate negatives, copy negatives, prints and postcards of China and Japan, specifically of Hong Kong, Shanghai, Beijing (Peking), Yokohama and Nagasaki. These images were taken by Stuart Schofield during a geological survey expedition ... »
Fonds consists of nitrate negatives, copy negatives, prints and postcards of China and Japan, specifically of Hong Kong, Shanghai, Beijing (Peking), Yokohama and Nagasaki. These images were taken by Stuart Schofield during a geological survey expedition in 1923-24. In 1925, Mrs. Florence Schofield compiled the photographs into an album and provided comments for the photos from her memory of the trip.
An accrual to this fonds was discovered in the backlog. It is not known whether this accrual was part of the original accession. In adding this accrual, the case file was consulted and the photocopy of Dr. Schofield’s journal was discovered. This was added to the binder that contains the prints, negatives, and postcards. Dr. Elizabeth Johnson was responsible for organizing this fonds and she has identified some places and people that were not originally identified by Mrs. Schofield. Her annotations appear in square brackets.
Accrual #2010-06 was added after Dr. Johnson’s organization. This included photographs and postcards. One postcard is dated 1969, but most appear to be ca. 1923-1924 like the original materials.
Collection consists of 14 hand-tinted photographs of Japan. Geographic areas represented by these photographs include Kobe, Enosha Island, Tokyo, Nagasaki, Chuzenji Lake at Nikko, Inland Sea at Bingo, Kamakura, Yokohama and Honmoku.
Fonds consists of seventy-three slides of New Guinea and includes images of markets, buildings, local inhabitants, and landscapes in and around Lae, Goroka, Port Moresby, and other unidentified locations.
Fonds consists of physical and intellectual descriptions of objects in the form of photographs and textual records that provide relevant background information and bibliographic citations relating to Koerner’s personal collections. Fonds consts of two ... »
Fonds consists of physical and intellectual descriptions of objects in the form of photographs and textual records that provide relevant background information and bibliographic citations relating to Koerner’s personal collections. Fonds consts of two series: W. and M. Koerner ceramics collection and Northwest Coast Indian art.
The fonds consists of 66 photographic prints, some of which are hand-coloured, stamped “B.W. Leeson Quatsino, B.C.”, labelled on the front or back with explanatory information, or signed in ink. One print of a longhouse is stamped “The Leeson Collection ... »
The fonds consists of 66 photographic prints, some of which are hand-coloured, stamped “B.W. Leeson Quatsino, B.C.”, labelled on the front or back with explanatory information, or signed in ink. One print of a longhouse is stamped “The Leeson Collection Copyright 1914.” The photographic subject matter relates to British Columbia’s Kwakwaka'wakw First Nations and the British Columbia landscape. Also included is a copy of Portraits of the Indians of Quatsino by Benjamin W. Leeson (Kit #20) by Susan Roper, produced by the Research Project on Early B.C. Photography at the Vancouver Public Library around 1972, and 23 duplicate slides which accompany it.
The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of ... »
The fonds consists of the records created by Lynn Hill while she was employed as curator-in-residence at the Museum of Anthropology. They relate predominantly to her curation of the exhibition Raven’s Reprise. The exhibition involved the installation of works by contemporary Northwest Coast artists around the Museum, and was intended to challenge viewers’ expectations of Northwest Coast art by juxtaposing traditionally accepted aesthetics and technology with modern materials and urban sensibilities. Records reflect Hill’s planning of the exhibition, as well as her communication with artists involved in the exhibit and in a complimentary series of public talks. Other records relate to Hill’s work on Gallery 3 and with the Native Youth Program.
Documents include source books, correspondence, reports, training materials, budgets, grant applications, exhibit proposals, draft exhibition materials, resumes, brochures, photographs, interview transcripts, and copies of print materials.
Fonds consists of records created by McLennan during his employment at the Museum. Fonds has been arranged into six series. The first series is titled Exhibits and relates to McLennan’s role first as a designer and photographer of exhibits and later as a ... »
Fonds consists of records created by McLennan during his employment at the Museum. Fonds has been arranged into six series. The first series is titled Exhibits and relates to McLennan’s role first as a designer and photographer of exhibits and later as a curator of exhibits. Each exhibit is arranged into a separate subseries. Some of the photographs were taken by staff who worked for McLennan.
The second series is titled Projects and events. This series relates to McLennan’s role as photographer. He has recorded many events and documented projects through the use of photography. On some projects he also took on the role of designer.
The third series is titled Multiversity galleries and contains materials related to the creation of the Multiversity gallery space which occurred as part of the Partnership of Peoples Renewal project from 2007-2010.
The fourth series is titled general research and contains materials related to McLennan’s research in art on the northwest coast of British Columbia. The research series has been sub-divided into four sub-series: museums, archives and subject files, artist files, culture photographs and books.
The fifth series is titled Bill Reid and contains materials created and collected about Bill Reid and his work by McLennan.
The sixth series is titled Administration, public relations and correspondence and relates to McLennan’s administrative role at MOA, containing administrative records.
Additional digital records from this fonds are still being processed and will be added to this finding aid at a later date.
The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April ... »
The collection consists of nine large watercolour illustrative panels commissioned by the UBC Museum of Anthropology, eight of which were commissioned for the exhibit "The Four Seasons: Food Getting in British Columbia Prehistory," which ran from April to November 1979. The other watercolour is from an unidentified exhibit or sourcebook.
The collection also contains one painting that was commissioned by the museum for a publication (Museum Note, no.12, "Ninstints: World Heritage Site"), as well as a blueprint reproduction of a related drawing. These are renderings of how the houses and poles on a beach at the Ninstints village site might have looked when they were in use. The rendering is based on George MacDonald's map.
Collection consists of the following items:
001: The Four Seasons – Spring – Interior [1979?] 002: The Four Seasons – Spring – Coast [1979?] 003: The Four Seasons – Summer – Interior [1979?] 004: The Four Seasons – Summer – Coast [1979?] 005: The Four Seasons – Autumn – Interior [1979?] 006: The Four Seasons – Autumn – Coast [1979?] 007: The Four Seasons – Winter – Interior [1979?] 008: The Four Seasons – Winter – Coast [1979?] 009: Haida six beam house 1993 010: [Ninstints village painting] 1983 011: [Ninstints village, drawing for Museum Note] 1983
The fonds consists of 26 colour slides, including ceremonies and traditions related to weddings and male circumcision taken in Tunisia, as well as scenery and people in Algeria.
Fonds consists of photographs taken by Virginia Small’s husband, Harry M. Small during a trip to Japan between 1920 and 1922. Photos depict a variety of scenes from rural and urban life including craft and silk production, farming, fishing and ... »
Fonds consists of photographs taken by Virginia Small’s husband, Harry M. Small during a trip to Japan between 1920 and 1922. Photos depict a variety of scenes from rural and urban life including craft and silk production, farming, fishing and ceremonial activities. In addition, the fonds includes photos, both posed and candid, of various individuals including members of the traveling party, as well as photos of landscapes and architecture. Some photos are marked with the subject, date and location on the back with pencil.
Fonds consists of 83 photographs taken between 1974 and 75 when Dan Jorgensen was in Papua New Guinea to study the Telefolmin people. The images have been mounted on card and are labeled with place and title. Most of them were assigned a number and ... »
Fonds consists of 83 photographs taken between 1974 and 75 when Dan Jorgensen was in Papua New Guinea to study the Telefolmin people. The images have been mounted on card and are labeled with place and title. Most of them were assigned a number and letter by Dr. Jorgensen. On the verso of the card, Dr. Jorgensen has detailed what is happening in the image.
The material is grouped according to a letter designation which Dr. Jorgensen had assigned. The assistant archivist has assigned a DJ and number to those images that Dr. Jorgensen had not numbered.
D: 1 Daduvip boy 2 village children 3 Daduvip children 4 Foiwalmin boy 5 three young girls 6 3 Telefomin girls 7 Daduvip children 8 women and children 9 women in mourning 10 women and children 11 gov’t headsman 12 Daduvip woman [Mislabeled. This is a portrait of Robinokof, a young man, of Dividuvip hamlet.] 13 father and son 14 Faiwolmin hunter 15 decorated feather bag 16 spirit house 15 Faiwolmin man 17 imitation headdress [initiation?] 19 two men in dance regalia 20 traditional dress 21 dancing costume 22 Telefolmin men
F: 1 prized taro plant 2 new taro garden 4 man and his gear 5 mother and child 6 pandanus fruit 7 preparing food 8 cooking fruit 9 placing cooking stones 10 cooking fruit parcels 11 food for feast 12 singeing pig 12 cooking for feast 13 & c. 2 small feast 14 cooking for feast 15 Daduvip women 16 pig-kill 17 binding pig for sacrifice 18 killing pig 19 kill pig 20 pig dispatched 21 singeing pig 23 butchering a pig
H: 1 & c. 2 ancestral village 2 Telfolip village 3 house building 4 house building 5 house building 6 house building 7 & c. 2 old Daduvip woman 8 spirit house 9 spirit house 10 the Yolan-ritual house 11 men’s compound 12 Kobelman 13 menstrual & childbirth hut 15 ethnographer’s house
[DJ] : 1 curing ceremony 2 plating ritual 3 ceremonial planting 4 curer & patient 5 fighting demonstration 6 fighting demonstration 7 fighting shield 8 fight demonstration 9 healing ritual 10 healing ritual 11 healing rituals 12 sacred netbag 13 child prophet NOTE: Consultation of photographer necessary before public display of this image 14 dancers 15 clay sculptures 16 Ifitamin valley 17 slow cooking technique 18 preparing a fire 19 ceremony 20 curing ritual 21 food for feast 22 (H 14 F 3) old garden house
Fonds consists of 17 coloured photographic prints and 14 corresponding negatives. Photographs contain images of individuals in an arctic environment, but the exact location is unknown.
The fonds consists of slides collected by Dr. Kew in the course of curating the exhibition Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The fonds is divided into the following series: Central Coast Salish Art ... »
The fonds consists of slides collected by Dr. Kew in the course of curating the exhibition Visions of Power, Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The fonds is divided into the following series: Central Coast Salish Art Inventory ([1978]-1979), and Visions of Power, Symbols of Wealth Exhibition (1980). It also contains reports, memos, minutes and correspondence relating to the Ways and Means Committee.
There are three series in the fonds:
1. Central Coast Salish Art Inventory 2. Visions of Power, Symbols of Wealth Exhibition 3. Ways and Means Committee
Fonds consists of records created by Marjorie Halpin as a professor and scholar of Anthropology. The records mainly consist of textual records and audio-visual material including photographs, slides, audio-cassettes, video-cassettes, posters and maps. ... »
Fonds consists of records created by Marjorie Halpin as a professor and scholar of Anthropology. The records mainly consist of textual records and audio-visual material including photographs, slides, audio-cassettes, video-cassettes, posters and maps. The records include correspondence, memoranda, reports, curriculum vitae, cue cards, invitations, lecture notes, planning notes, research notes, draft copies of articles and papers, reviews of publications written by Halpin and reviews of Halpin’s own work, grant applications, budgets, negatives, contact sheets, postcards, overheads, taped interviews, minutes of committee meetings, published proceedings of conferences and other material relating to Halpin’s participation in conferences.
The fonds has been organized into the following series:
Fonds consists of records related to the administrative functions of the society and includes meeting minutes, internal and external correspondence, membership lists, committee and sub-committee files, records about the society’s constitution and seal, ... »
Fonds consists of records related to the administrative functions of the society and includes meeting minutes, internal and external correspondence, membership lists, committee and sub-committee files, records about the society’s constitution and seal, and relevant financial information. There is also a file related to the 1981 benefit concert for the proposed Haida canoe wing.
