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Fonds consists of negative images of petroglyphs largely from the Pacific west coast of North America. Most of the images are from sites located in British Columbia, but there are also images from sites in Washington State, New Mexico, and other areas of the United States and Mexico. There are also images of artifacts, masks, totem poles, wood carvings, and graveyards. Images of family travels, landscapes, wild animals, and house cats are interspersed within the collection.

Collection consists of published or printed materials produced by and about the Museum of Anthropology. These materials include records related to MOA’s exhibitions, collections, programs, events, membership, gift shop, and physical buildings/spaces. Record types include pamphlets, brochures, reports, books, magazines, newspaper articles, cards/postcards, educational handouts, and posters.

The collection has been divided into 12 series. Some series, such as the "Exhibitions and collections series" or the "Membership series," reflect the subject area or function of the records within them. Other series contain records grouped together by record type, such as the "Posters series" or the "Cards and postcards series."

Fonds consists of records created by Audrey Shane as Archivist/Librarian and later Curator of Documentation of the Museum of Anthropology. The records consist of mainly textual and graphic material. The records include correspondence, internal memoranda, minutes of committee meetings, reports, student papers, handwritten notations, draft copies of articles and papers, book reviews, grant applications, drafts of text labels, photographs, negatives, contact sheets, slides and other textual and graphic material related to Shane’s functions and activities at the Museum.

The fonds has been organized into the following series:

1. Exhibition files 1977-1987
2. Collections files 1976-1992
3. Project files 1979-1986
4. Database files 1973-1987
5. Museum history files 1974-1989
6. Papers/teaching/lecture files 1975-1987
7. General administration files 1975-1987
8. External committees files 1978-1987
9. Conference files 1977-1986

The fonds consists of records relating to Skooker Broome’s function as a designer and as a coordinator for building services at UBC's Museum of Anthropology and contains detailed records relating to producing, planning, designing, and installing exhibits at the Museum of Anthropology. Records include correspondence, drawings, notes, memos, minutes, reports, photographs, proofs, labels, and other materials.

The fonds is arranged into three series:

Series 1: Exhibition & design series
Series 2: Special projects & events series
Series 3: Facilities & services series

See attached pdf document for series descriptions and file list.

Hand coloured sepia photograph of Gitskan village including structures, totems poles and small groupings of walking people taken by the father of Ena M. Montador. He was a salesman who traveled up and down the coast and may be one of the people in the photograph.Gitskan is a National Historic Site of Canada located at Kitwanga, British Columbia in the Skeena Country in the northwestern region of the province. It was an 18th century earthwork fortress also known as Battle Hill. Gitskan village features several wooden totem poles (featured in the photograph) that were originally erected by several clans on Battle Hill but were moved due to floods.

Slide of a photograph taken in the spring of 1962 or 1963 of Bill Reid as he was working on a carving at Totem Park, UBC.

Fonds consists of five glass plate negatives taken in the early 1930s by James B. W. Cater when he worked for a farming company on Rapa Nui (Easter Island), a Chilean island in the southeastern Pacific Ocean, at the southeasternmost point of the Polynesian Triangle.

Glass plate negatives feature: a young girl posed in front of a moai, the monolithic human figures carved by the Rapa Nui people; a portrait of a young girl; group portraits taken outdoors.

Collection consists of the media -including photographs, sound recordings, and video recordings - that is about, by, or related to the Museum of Anthropology (MOA) and its collections. Media can be found in many collections and fonds in the MOA Archives; the media in this General Media collection are those that do not belong to a more specific archival collection, usually because their provenance is not known.

The collection is divided into three series based on media type:

1. Photographs
2. Video recordings
3. Sound recordings

This fonds consists of 136 slides taken by E. Polly Hammer on various trips to British Columbia, Alaska, Manitoba, and Minnesota during the time she was based in Manitoba. The slides primarily depict totem poles from throughout the Northwest coast, including carvings by Mungo Martin and Henry Hunt. There are also depictions of petroglyphs and other works of art, as well as buildings (houses, museums, forts, and other dwelling places) and landscapes. There are also several photographs of events attended and photographed by E. Polly Hammer. The fonds also contains a booklet with information on and images of totem poles in Prince Rupert, British Columbia.

Collection consists of Haisla cultural documentation and X̄a’islak̓ala/X̌àh̓isl̩ak̓ala (Haisla language) learning material, including sound recordings, stories, a dictionary, and lessons/workbooks. The collection has been divided into two series:

1. Sound recordings
2. Textual materials

The fonds reflects the religious work and family history of Rev. George Stallworthy and his descendants. The fonds consists of correspondence and drawings related to the family's time in the South Pacific; 20 photographic portraits of family members; sermons, article reprints, and correspondence related to George Burnett Stallworthy's religious work and life; and a scrapbook containing memoranda, correspondence, photographs, clippings, pamphlets, genealogical research, and other ephemera from the Stallworthy family up to 1925.

The fonds is arranged into files based on the content and medium of the records.

The fonds consists of materials related to Fuyubi Nakamura's role as Curator of Asian Collections at the Museum of Anthropology (2014-present). Currently this exclusively relates to records of the exhibit (In)visible: The Spiritual World of Taiwan through Contemporary Art/形(無)形-台灣當代藝術的靈性世界 (November 20, 2015 – April 3, 2016).

Fonds contains scanned images from two photo albums attributed to Robert Reford. One album shows images from his time in British Columbia (1889-1891). These photographs were likely taken by Reford. The second album contains images from the Arctic. It is not clear who took these photos, as there is no record of Reford having spent time in the Arctic.

This fonds consists of textual records, photographs, negatives, slides, audio recordings, compact discs and video on DVD that relate to Kovanic’s academic and film career. The fonds relates especially to her work in Pakistan, India and Afghanistan, but also captures her work with First Nations on the Northwest coast of British Columbia.

The fonds consist of slides taken by Blanca and Ricardo Muratorio relating to fieldwork, folk arts and crafts of Ecuador and Peru taken by Blanca and Ricardo Muratorio. The colour photographs relate to the Corpus Christi [Ecuador] fiesta and dancers and the 1998 exhibit at the UBC Museum of Anthropology of works for sale by Andean artists, “Images of Andean Lives.”

Textual records consist of Ricardo Muratorio’s report on folk art, and materials relating to two exhibitions which took place at the Museum of Anthropology: the poster and Spanish text for “Images of Andean Lives” [1998] and an invitation for “Sewing Dissent: Patterns of Resistance in Chile” [1987].

Fonds consists of 21 photographs from the 1978 Bill Reid pole raising ceremony at Skidegate, an event at which Gill was an observer.

The fonds consists of records created by Ryckman during his tenure with the Department of Indian Affairs, primarily from the 1920s and 30s. The fonds includes contact sheets made as copies of photographs that remain in possession of Ryckman’s heirs. Records in the fonds take the form of notes and correspondence. Also included in records is a ledger which contains census information. The fonds also includes photocopies of newspaper articles relating to members of the First Nations whom Ryckman came into contact with as a result of his work as well as materials relating to Ryckman himself.

The fonds consists of the following files:

1-1, Ledger Book [Original & Copies], c. 1920
1-2, Photographs [Negatives & Contact Sheets], c. 1920
1-3, Articles and Correspondence [Photocopies], 1922-1936
1-4, Kootenays [Typed & Handwritten transcipts], c. 1932

Fonds consists of a collection of photo albums, clippings and slides created and collected by Rita Steeds to document her travels in Korea and the Philippines.

Fonds consists of photographs that mainly document bombings in Shanghai by military forces from Japan in 1937. It is likely that the photographs of two bombing incidents were taken when Victor was a member of the Shanghai Volunteer Corps. The images show the devastation caused by the bombings including streetscapes and details of blown out buildings and dismembered casualties. Other photographs at the beginning of the album are postcards of Shanghai in its heyday before the bombings. Textual documents are from the 1930s and 1940s and include registration cards, a birthday card, a passport as well as identification cards of Victor, Valentina and Elizabeth.