- 25-04-05-a038359
- Item
- [ca. 1970]
Parte deAnthony Carter fonds
Portrait of Chief Dan George.
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28 resultados con objetos digitales Muestra los resultados con objetos digitales
Parte deAnthony Carter fonds
Portrait of Chief Dan George.
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Parte deAnthony Carter fonds
File consists of images of Chief Dan George with a band, as well as an image of him by himself with a drum and a few images of the North Vancouver area.
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Dominic Charlie (Tsee-Qawl-tuhn) at Squamish
Parte deAnthony Carter fonds
File consists of images of Squamish Chief Dominic Charlie (Tsee-Qawl-tuhn).
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August & Mari Jack, Squamish (Coast Salish)
Parte deAnthony Carter fonds
File consists of images of individuals in Squamish, North Vancouver, Pemberton, and Ladysmyth, BC.
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This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
File contains images of various First Nations Cultural groups from the Pacific Northwest. The images include negatives and slides of Northwest Coast villages, totem poles, longhouses, and First Nations peoples dressed in regalia.
Chief Dan George, Tsleil-Waututh (Coast Salish)
Parte deAnthony Carter fonds
File consists of images of Burrard Chief Dan George in different settings throughout the years.
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Xwemelch'stn (Coast Salish) ceremony
Parte deAnthony Carter fonds
File consists of photographs from a celebration in North Vancouver in 1956.
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Parte deAnthony Carter fonds
Image of a small dog in the forest.
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Parte deAnthony Carter fonds
Image of a small dog in the forest.
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Parte deAnthony Carter fonds
Image of Chief Dan George speaking at the opening of Centennial display at Vancouver Public Library.
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Parte deAnthony Carter fonds
Portrait of Chief Dan George in traditional dress, holding a hand drum. The North Shore mountains are visible in the background.
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Hon. Chief Dan George, [Tsleil-Waututh]
Parte deAnthony Carter fonds
Portrait of Chief Dan George, taken outdoors.
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Chief Dan George, Abundant Rivers
Parte deAnthony Carter fonds
Portrait of Chief Dan George, holding a carved pipe and staff. This same image, or a similar one, is printed on page 13 of Carter's book Abundant Rivers.
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File includes one photograph of MOA Object ID A8211 which is a bentwood chest. The contents of this file were used to create object labels for MOA's Great Hall.
Vickie Jensen and Jay Powell fonds
Fonds consists of records relating to the numerous culture and language projects that Powell and Jensen worked on since 1976. The communities with which they worked include:
• The Quileute of La Push
• The Kwakwaka’wakw of Alert Bay
• The Gitxsan of Kispiox, Gitanyow, and surrounding villages
• The Nuu-chah-nulth of Vancouver Island
• The Musqueam of Vancouver
• The Seton Lake St'at'imc (Lillooet) of Shalalth
• The Shuswap of Alkali Lake, Soda Creek, Dog Creek, Canim Lake, and Sugar Cane
• The Haisla of Kitamaat
• The Nisga’a of Gingolx (Kincolith) and New Aiyansh
Most of the projects had an end goal to produce a book, language education materials, or teacher training materials. Often the education materials incorporated cultural lessons throughout. The records created in the production of the books are varied and reflect the intrinsic connection between language, culture, and daily activities in the communities. Powell and Jensen were co-editors for nearly all of the language books and materials produced. Although some of the projects reflected in the records were done primarily by Powell or primarily by Jensen, the vast majority of the work involves collaboration between the two in some aspect. As Jensen and Powell immersed themselves in the communities they worked for, often their personal photographs and records are interspersed with those relating to their work. This community involvement enhanced their relationships with the people with whom they were working and allowed them to experience and participate in cultural activities as part of those communities. This close relationship is reflected in and is integral to their work. Jensen and Powell have two sons: Nels, born in 1978, and Luke, born in 1981. Their sons travelled with them to the communities in which they worked and lived, and on their work trips and sabbaticals. Nels and Luke are also present in many of the photographic records.
The records contain a mixture of research, field notes, administrative records, and publications at various stages, in addition to audio and visual records. Field notes, for the most part handwritten, and archival research into language and culture groups was undertaken by Powell, whilst the majority of the photography, found in a variety of formats, was done by Jensen. Manuscripts and final publications were a combined effort and are included at various stages. Administrative records, including grant proposals, are found throughout.
Fonds consists of 13 series of records. Series are arranged according to community and/or project, and include:
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This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.
Central Coast Salish Art Inventory
Parte deMichael Kew (MOA curator) fonds
Series consists of slides representing the inventory of Central Coast Salish art photographed by Dr. Kew during his visits to various North American museums and the British Museum in preparation for the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. The images illustrate a wide variety of traditional art objects including masks, adzes, spindle whorls, mat creasers, and totems poles, as well as various jewelry, instruments, and utensils. The series also includes two volumes of the Central Coast Salish Computerized Art Inventory, which provides a detailed physical description of each art object.
Series includes --
Album 1: Slides 03-560
Album 2:
Sheet 1-14 Slides 561-940
Sheet 15-32 [Uncatalogued Slides]
Album 3: [Uncatalogued Slides]
Box# 1: Central Coast Salish Computerized Art Inventory
Visions of Power, Symbols of Wealth Exhibition
Parte deMichael Kew (MOA curator) fonds
The series contains slides relating to the exhibition Visions of Power Symbols of Wealth: Central Coast Salish Sculpture and Engraving. Images include exhibit views and various artifacts including masks, adzes, spindle whorls, mat creasers, and textiles.
Series includes --
Album 4: Slides 1-172
Album 5:
Sheet 1-2 Salish Exhibit 1 [exhibit views], Slides 1-1 – 1-29
Sheet 3-4 Salish Exhibit 2 [artifacts], Slides 2-1 – 2-39
Sheet 5-6 Salish Exhibit 3 [textiles, artifacts], Slides 3-1 – 3-35
Sheet 7 Salish Exhibit 4 [artifacts], Slides 4-1 – 4-19
Sheet 8-9 Salish Exhibit 5 [artifacts], Slides 5-1 – 5-36
Sheet 10-11 Salish Exhibit 6 [artifacts], Slides 6-1 – 6-35
MOA News: The Newsletter of the UBC Museum of Anthropology, Vol II No 3, May 1997
The newsletter contains 6 articles about the museum as well as photographs, facsimiles of artworks, and general visitor information. Subjects include the erection of new house posts and an ancestral figure by Susan Point, a new school programme co-developed with the Musqueam Nation, the retirement of MOA director Dr. Michael Ames, the launch of MOA's first website, the continuation of Dr. Marjoire Halpin's multimedia project, and the donation and display of Ainu objects. Also included are a Calendar of Events and list of donors.