Aerial view of Haida House after construction and carvings were complete. The date of the annotation must be incorrect as the double mortuary pole and the house front totem pole were not completed until 1962.
Aerial view of Haida House after construction and carvings were complete. The date of the annotation must be incorrect as the double mortuary pole and the house front totem pole were not completed until 1962.
Display for the exhibit "Northwest Coast Indian Art." Shows several items related to Bill Reid including a silver box, spoon, and bracelet, as well as prints and other examples of his work.
Display for the exhibit "Northwest Coast Indian Art." Shows several items related to Bill Reid including a silver box, spoon, and bracelet, as well as prints and other examples of his work.
Series consists of correspondence between Audrey Hawthorn and Bill and Martine Reid, various invitations and programs to Bill Reid exhibits and a Haida House event, the funeral program for Bill Reid’s funeral, his obituary, various articles and newspaper clippings about Bill Reid and Haida art. Also in this series are photographs of Bill Reid and various participants with the Haida boat that was commissioned by Expo ’86. Other cards and notes in this series are addressed to Audrey Hawthorn by Michael Ames and Ruth Phillips. There are also several blank cards featuring Bill Reid’s art.
Consists of collected material about or by artist Bill Reid, with whom Hilary was acquainted. Includes clippings, reproductions of Reid's work, pamphlets, obituaries, correspondence, and a photograph.
Series consists of records created and collected by McLennan relating to Bill Reid and his art held both in private collections and at the MOA. Projects included in these records are the installation of Raven and the First Men in the MOA and The Spirit of Haida Gwaii at the Vancouver International Airport. Photographs also document jewelry designed by Bill Reid, along with small sculptures, large scale sculptures, ivory and argillite works and drums.
Bill Reid stands near the interior house post of the Haida House. The date of this photograph is uncertain but may have been taken around 1960 when the structure was originally being built. The post in the photograph was carved by Bill Reid and Doug Cranmer.
Bill Reid and Doug Cranmer carving the frontal plaque of double mortuary pole to be displayed near the Haida house at totem park. The pole (A50032) is now at MOA, on the grounds behind the museum.
