- 132-1-C-B-a040886
- Item
- 1962
Part of MOA General Media collection
Display for the exhibit "Technologies of the North West Coast." Shows a model canoe, mask, fish hook, and other items.
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Part of MOA General Media collection
Display for the exhibit "Technologies of the North West Coast." Shows a model canoe, mask, fish hook, and other items.
Part of MOA General Media collection
Display for the exhibit "The Shaman of the Northwest Coast." Several argillite carvings displayed including a shaman figure by Charles Edenshaw.
File contains copies of Edenshaw's timeline.
Part of MOA General Media collection
Display for an exhibit. Likely for "Tribal Control of the Supernatural." Displays several items including a staff, carved figures, and rattles. A Sxwayxwey mask is visible in the far right corner of the image.
Smithsonian [Institution] trip
Part of Wilson Duff fonds
File consists of correspondence from 1969 between Wilson Duff and staff at the Smithsonian Institution regarding its Northwest Coast collection. Included are James Swanton's notes about items he collected in 1875 to be exhibited at the 1876 Centennial Exposition in Philadelphia.
Signed Without Signature: Works by Charles and Isabella Edenshaw
Several dishes on display in Montréal
Part of MOA General Media collection
Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
Several dishes on display in Montréal
Part of MOA General Media collection
Several dishes on display for the Museum of Anthropology's Northwest Coast exhibit for "Man and His World".
File contains information on objects complied from the Reciprocal Research Network related to Charles Edenshaw.
File contains copies of still images permission forms from the Royal British Columbia Museum, as well as copies of correspondence between McLennan and the RBCM regarding obtaining images from the RBCM for the <i>Signed without Signatures</i> exhibit. There are also photocopies of the images of cedar hats and silver bracelets supplied by the RBCM. The contact sheets include images of a cedar hat.
Part of Wilson Duff fonds
File consists of correspondence from 1966 and 1967 between Wilson Duff and K.O.L. Burridge, of the Pitt Rivers Museum, regarding Haida potlatch masks. Included is correspondence from 1902 between Franz Boas and E.B. Tylor, which notes a discussion between Charles Edenshaw and John Swanton. The file also consists of b&w photos of the masks and the article "The Haidas," from Harper's New Monthly Magazine, dated June-November 1882.
[Northwest Coast native research] (8 of 8)
Part of Wilson Duff fonds
File consists of Duff's look at form and meaning in Haida art.
[Northwest Coast native research] (7 of 8)
Part of Wilson Duff fonds
File consists of Duff's look at the art in Haida logic.
[Northwest Coast native research] (6 of 8)
Part of Wilson Duff fonds
File consists of Duff's look at myth and symbolism in Haida art.
[Northwest Coast native research] (6 of 6)
Part of Wilson Duff fonds
File consists of Duff's notes on metaphor and meaning in Haida art.
[Northwest Coast native research] (5 of 8)
Part of Wilson Duff fonds
File consists of Duff's personal look at symbolism in Haida art.
[Northwest Coast native research] (5 of 6)
Part of Wilson Duff fonds
File consists of Duff's notes on symbolism in Haida art.
[Northwest Coast native research] (4 of 8)
Part of Wilson Duff fonds
File consists of Duff's personal look at iconography and symbolism in Haida art.
[Northwest Coast native research] (4 of 6)
Part of Wilson Duff fonds
File consists of Duff's personal notes on space in Haida art.
[Northwest Coast native research] (3 of 8)
Part of Wilson Duff fonds
File consists of Duff's look at meanings and symbolism in Haida art.