Image depicts interior posts of the Grizzly Bear House, Masset, B. C. (same as in a039368). The posts are displayed with a Chilkat blanket, painted hat, and two daggers that probably belonged to Xa
Men preparing to lower the grizzly bear pole at T'aanuu Llnagaay. The pole was removed by the B.C. Totem Pole Preservation Committee and cut into four sections. It has since been displayed at UBC and at the Museum of Anthropology in these four sections.
Item is an image of fifteen people around a totem pole. There are two buildings in the background. People in the photograph are identified in annotations.
This large group portrait includes men, women and children in both native and western dress. A priest stands on the far right of the image copy; structures and a totem pole stand in the distance.
Image of a totem pole by Gilford Island carver Sam Johnson. The pole depicts the Eagle and "Tzonqua." A picture of Johnson with this pole is printed on page 54 of Carter's book From History's Locker.
Item is a photograph showing a man, artist Jim Hart, putting some finishing touches on a totem pole. The pole was raised at the Museum of Anthropology on October 2, 1982.
Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.
Series of Haida Mortuary poles from SGang Gwaay photographed by Charles F. Newcombe in 1901. The third pole from the left was taken down in 1957 and held at the University of British Columbia and the Museum of Anthropology. In 2009 it was taken down from the Great Hall in the Museum of Anthropology and placed into massive carving storage in preparation for repatriation to the Haida nation.
Image of a totem pole in a storage area at the Museum of Anthropology. Based on annotations on the slide, the image may have been taken by Michael Ames.