Norm Tait [and Gerry] Marks at (?), UBC
- 25-05-11-a039589
- Item
- 1977
Parte deAnthony Carter fonds
Image of logs with buildings on the background
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1376 resultados con objetos digitales Muestra los resultados con objetos digitales
Norm Tait [and Gerry] Marks at (?), UBC
Parte deAnthony Carter fonds
Image of logs with buildings on the background
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Norm Tait [and Gerry] Marks at (?), UBC
Parte deAnthony Carter fonds
Image of a person carving a totem pole
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Norm Tait [and Gerry] Marks at (?), UBC
Parte deAnthony Carter fonds
Image of a log with tools on top
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Parte deAnthony Carter fonds
Image of a person carving a totem pole
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Parte deAnthony Carter fonds
Image of a person carving a totem pole
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Unidentified totem pole laying on ground
Parte deAnthony Carter fonds
Image of an unidentified totem pole laying on the ground
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House Frontal Totem Pole, UBC Totem Park
Parte deAnthony Carter fonds
Image of a pole carved as the frontal pole for the front of the Haida house, at UBC, for display in Totem Park. Moved to the new Museum of Anthropology grounds in 1978. Pole was removed from the Haida House in 2000-09 and placed in a greenhouse tent for conservation treatment and drying. A new pole was raised outside to replace it (see MOA object Nb1.752). Jim Hart, with Reg Davidson, Michael Nicoll and Tyler Crosby, performed a small informal ceremony for the re-raising of the pole on Oct. 30, 2002 (with Martine Reid in attendance). Pole was then re-raised in the Great Hall of the Museum on Oct. 31, 2002.
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Parte deAnthony Carter fonds
Image of a totem pole and a carving on the background displayed at the Museum of Anthropology at UBC.
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Parte deAnthony Carter fonds
image of totem poles displayed at the Museum of Anthropology at UBC
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House post, Sgang Gwaay, Haida Gwaii
Parte deAnthony Carter fonds
Image of a pole from House 17 at Sgang Gwaay (Skunggwai). This is an interior pole from the Raven House. It was removed on a BC Totem Pole Preservation Committee trip in 1957. The pole is now part of the Museum of Anthropology's object collection (A50016).
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Parte deAnthony Carter fonds
Norman Tait and Francis Williams carving a pole, possibly restoration work related to pole A50020.
MOA Magazine, Issue 08, Fall 2019
This issue contains articles on current and upcoming exhibitions, the Great Hall seismic upgrades, the UBC President's Staff Award for Community Engagement recipient Salma Mawani, the beginning of a project to decolonize MOA's Africa collections, funding from Canadian Heritage's Museum Assistance Program, Playing with Fire: Ceramics of the Extraordinary, the history of the museum and the Hawthorns, fast fashion and sustainable textiles, highlights from the Multiversity Galleries, the return of a Haida mortuary pole, the Native Youth Program, the MOA shop, artist-in-residence Sharon Reay, and the MOA Director's Advisory Council.
Miscellaneous totem pole images
Parte deAnthony Carter fonds
File consists of images of totem poles and other carvings, some of which were taken at the University of British Columbia. The others are unidentified.
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Parte deMOA General Media collection
Items from the Museum of Anthropology including house posts, feast dishes, a bentwood box, and model totem poles, on display in Montréal for the Northwest Coast exhibit for "Man and His World".
This file contains images of Coast Salish and Kwakwaka'wakw artifacts. Many of the photos are official photographs taken by various museums in Canada and the United States, but others are historical photos. These artifacts include masks, rattles, carvings, fishing equipment and fish processing, canoes, and North Coast architecture, such as long houses and house posts.
File mainly contains historical images of Haida and Tlingit villages and totem poles located on the Northwest Coast of British Columbia and Alaska. There are also images of Haida and Tlingit peoples dressed in regalia. Other photos include images of Haida and Tlingit artifacts, such as bentwood boxes and carvings, housed in various museums around the world. There are also images of a modern day ceremony in front of some totem poles and long houses. The textual records include photocopies of images of totem poles and Haida and Tlingit villages.
The carving of a NWC mask often the work of a specialist
Parte deMOA General Media collection
Display for the museum. Uncertain relation to exhibitions. Shows two masks one in the process of being carved with tools nearby.
Small totem pole, basket, prints, and other objects
Parte deMOA General Media collection
Display for the exhibit "Northwest Coast Indian Art." Shows a small totem pole, prints, a basket, textiles, and other objects.