- 1-2-N
- Subseries
- [1986]
Series contains slides of banners created for the City of Vancouver by McLennan.
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Series contains slides of banners created for the City of Vancouver by McLennan.
Part of MOA General Media collection
This subseries consists of photographs from the history of the Museum of Anthropology, including the original museum location in the basement of UBC Library through to the opening of the museum at its current location in 1976.
Subjects include:
Consists of tapes and transcripts used to form the text for Where the People Gather. The tapes contain a mix of recordings of Norman Tait teaching/directing the carving of the NEC pole and later poles, and more formal interviews between Jensen and the carvers involved in the projects of this time period.
Consists of audio recordings created for various purposes. Many are recordings community members reading the language education materials created in both the Western and Eastern dialects. These recordings were intended to be used in conjunction with the books. Other recordings consist of interviews with community informants. Powell used the recorded interviews in preparation for the creation of language education materials. Finally, some of the recordings include community stories and songs that were considered and sometimes used in the language materials.
Series includes audio and video interviews with Agnes Alfred and other members of the Kwakwaka'wakw community
Martine J. Reid
Consists of audio recordings used as research material for Powell’s dissertation and in the creation of the Quileute language education materials
Consists of audio recordings of community members reading the Nuu-chah-nulth language education books. The recordings consist of more than one copy of most of the books, as they are read in various dialects
Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.
Association of College and University Museums and Galleries
Part of Audrey Shane fonds
Audrey Patricia Mackay Shane
Part of Elizabeth Johnson fonds
Subseries consists of records relating to various researchers, assistants and other temporary employees under Elizabeth Johnson’s charge. Records in the series include notes, correspondence and contracts.
Elizabeth Lominska Johnson
Part of Carol Mayer fonds
Asia Pacific Economic Cooperation [APEC]
Part of Skooker Broome fonds
Subseries consists of records relating to Skooker Broome’s responsibilities as a Museum of Anthropology liaison and coordinator of the Asia Pacific Economic Cooperation (APEC) conference held at the Museum. Records include a power point presentation of APEC, plans for APEC, correspondence, memoranda, agendas, and site enhancement proposals.
Subseries contains largely photographs of artworks of Northwest Coast First Nations artists located at various cultural heritage institutions as well as in private collections. The majority of the information within the files was collected by McLennan for research purposes, and includes textual documentation about the lives of the artists, correspondence with the artists, information about exhibits based on the artists’ work and newspaper clippings and other stories about the personal life of the artists.
Artifacts of the Northwest Coast Indians
Part of Hilary Stewart fonds
Subseries consists of material related to the production of Stewart's book Indian Artifacts of the Northwest Coast, which was first published in 1973.
Subseries contains one file that consists of images of the MOA depicting the reflecting pond that was filled for one of Arthur Erickson’s birthdays.
Art of the Lesser Sunda Islands
One copy of booklet that contains photographs taken by Bill McLennan. The book was donated by it's author, Laurence A.G. Moss. Moss was a visiting curatorial fellow at MOA (under Marjorie Halpin) in the mid-1980s. During that time, Bill assisted Moss in taking photographs that ended up in this book and associated exhibition.
Teh full title of the book is Art of Lesser Sunda Islands: A Cultural Resource at Risk. The book contains 13 photographs by McLennan
Subseries contains of one file consisting of images of two argillite sculptures at the MOA, UBC. These images were taken by McLennan while working with a student on a project related to masking the scale of the object. McLennan called it “Unravelling Scalability.”