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Subseries consists of images used in the booklet Jack Shadbolt and the Coastal Indian Image written by Marjorie M. Halpin as well as a copy of the booklet. In addition are photographs of Jack Shadbolt.

Subseries consists of two files. File 1 contains a booklet titled A Guide to Buying Contemporary Northwest Coast Indian Arts by Karen Duffek. This booklet was created as part of the Museum Notes program at the Museum of Anthropology. McLennan is credited for the design of the booklet. File 2 contains oversized prints used in the booklet.

Subseries contains two files containing records related to the exhibit about the artist Jane Ash Poitras.

Subseries consists of the text and images used in an exhibit titled <i>Clothing Identity.</i>

Subseries contains research materials compiled and/or created by Sawyer to supplement his slide collection of the various Northwest coast artifacts stored in museums around North America and Europe. The materials compiled by Sawyer include photocopies of museum catalogs and index cards, as well as photocopies of published articles containing research information on some of the museum collections’ contributors, such as George T. Collins, and Louis Shotridge. Additionally, Sawyer complied his own research on some of the artifacts housed in various museums, noting information such as the size of the artifacts, the sizes of various parts of the artifacts, any colours on the artifacts, the condition of the artifacts, etc.

ref # 13-1-C

Subseries consists of research material created by Sawyer, as well as his students, regarding Northwest coast artifacts. The majority of this research pertains to a specific type of artifact known as the “Jenna Cass” mask. This portrait mask was created by the Haida First Nations, and is known for its colouring and pronounced lebret piercing. Textual materials in this subseries include reports, iconic analysis, handwritten notes, memos, correspondence, and photocopies of articles related to Jenna Cass and other artifacts research. Graphic materials include photographs, slides, film negatives, and drawings of Jenna Cass masks. Other materials not related to the Jenna Cass research include photocopies of published articles related to Northwest coast artifacts.

ref # 13-1-D

Subseries contains research materials compiled and/or created by Sawyer to supplement his slide collection of the various Northwest coast artifacts stored in museums around North America and Europe. The materials compiled by Sawyer include photocopies of museum catalogs and index cards. Additionally, Sawyer compiled his own research on some of the artifacts housed in various museums, noting information such as the size of the artifacts, the sizes of various parts of the artifacts, any colours on the artifacts, the condition of the artifacts, etc. Finally, the subseries contains copies of the correspondence Sawyer had with many of the museums he visited to conduct his research.

ref # 13-2-C

Series contains slides of banners created for the City of Vancouver by McLennan.

Subseries consists of photographs and textual records relating to and documenting the reconstruction of the roof and exterior of the Haida House at the MOA. Photographs depict the exterior of the Haida House pre-reconstruction as well as the surrounding totem poles. The accompanying textual records document proposals for the reconstruction, correspondence regarding materials, construction, financial documentation including proposed budgets and grant applications, and a UBC MOA Haida House Upgrade Proposal Report.

Subseries consists of several files documenting a number of projects McLennan was part of at the Vancouver International Airport (YVR) over several years. Files include publicity, correspondence, artists’ statements, photographs, artists’ renderings, the YVR Art Foundation and designs for YVR regarding the creation and installation of Northwest Coast art at the International Airport. Art pieces specifically mentioned include Bill Reid’s The Spirit of Haida Gwaii, the Jade Canoe, Susan Point’s Flight Spindle Whorl and Richard Hunt, Dempsey Bob and Robert Davidson’s pieces for the Supernatural World.

This subseries contains records relating to an exhibit built at the Canadian Museum of Civilization. McLennan was the project manager and design developer for this project. He oversaw the completion and installation of six west coast First Nation house designs: Coast Salish, Haida, Tsimshian, Bella Coola, Oweekeno, and Kwakwaka'wakw. The records include newspaper clippings, correspondence, photographs, and notes.

Subseries consists of correspondence and accompanying documentation regarding the creation and installation of northwest coast art at the British Columbia pavilion as part of the Canada pavilion in Seville, Spain in 1992 as part of the Universal Expo of Seville (Expo ’92).

Subseries consists of correspondence and accompanying photographs collected in anticipation of a potential metals project that never occurred at the Museum.

Subseries consists of copies of prints and negatives from museums around the world depicting indigenous peoples in Victorian portraiture style photographs during the turn of the 20th century. McLennan acquired these copies with the intention of proposing an exhibit which never materialized. There is also a file of accompanying documentation including correspondence regarding the loans of photographs and other research materials.

Subseries contains records related to the Expo ’98 virtual exhibit which was created and designed through the collaboration of the Haida community, Canadians museums (including MOA) and the Canadian Heritage Information Network. The exhibition featured the Haida community of the Queen Charlotte Islands (Haida Gwaii) and their relationship to the sea, from the past to the present and reflected the Expo ’98 theme of “Oceans: A Heritage for the Future.” Records include initial correspondence regarding the establishment of the collaborations involved with the exhibit, information regarding the exhibit itself and screen captures of the virtual interface.

Subseries contains records related to the <i>Attributed to Edenshaw Exhibit</i> held at MOA from April 28, 1998 through May 30, 2003. This exhibit featured basketry as well as gold, silver, argillite and wood carvings by Haida artists Charles and Isabella Edenshaw. Records include photographs of artifacts identified as potentially on exhibit during the time frame as well as some correspondence and public relations regarding the exhibit.

Subseries contains records related to the <i>Tlingit Long-tail Canoe</i> exhibit held in Gallery 3 at MOA. The exhibit features a newly carved 38 foot Tlingit long-tail canoe created by Mr. Calvin Hunt to honour his great, great Tlingit grandmother, Anisalaga (nee Mary Ebbets). The exhibit ran from October 15 – December 13, 2009. Records include correspondence and proposals regarding the creation of the exhibit, photographs and photocopies of canoes and public relations materials promoting the exhibit.

Subseries contains three slides documenting the installation of the Musqueam weavers portion of the <i>Gathering Strength: New Generations in Northwest Coast Art</i> exhibit at MOA.

This subseries contains one file that consists of images of a private pole raising. The mask in the photographs was carved by Jim Hart and is being danced by him. The mask is part of the MOA, UBC collection.

ref # 1-2-B

Subseries contains one file that consists of images of the MOA depicting the reflecting pond that was filled for one of Arthur Erickson’s birthdays.