- 1-2-LL
- Deelreeks
- February 2012 - November 2013
Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.
4 results with digital objects Show results with digital objects
Subseries contains images of the unveiling of the club given to Captain Cook as well as research materials collected by McLennan on Captain Cook.
Art of the Lesser Sunda Islands
One copy of booklet that contains photographs taken by Bill McLennan. The book was donated by it's author, Laurence A.G. Moss. Moss was a visiting curatorial fellow at MOA (under Marjorie Halpin) in the mid-1980s. During that time, Bill assisted Moss in taking photographs that ended up in this book and associated exhibition.
Teh full title of the book is Art of Lesser Sunda Islands: A Cultural Resource at Risk. The book contains 13 photographs by McLennan
Subseries contains images of exhibit.
Subseries contains images of robes and saddle.
Subseries contains images of objects in the exhibit <i>The Legacy: Continuing Traditions of Northwest Coast Indian Art.</i> This exhibit was held November 25, 1981 - August 31, 1982. In addition are photographs of the exhibit opening.
Images of life: 50,000 years of Japanese pre-history
Subseries consists of images showing artwork from the exhibit <i>Images of LIfe: 50 000 Years of Japanese History</i> and a copy of the proposal for the exhibition (in the form of an illustrated booklet).
Subseries contains images of a carved spindle whorl.
The world of spirits: Igbo masks
Subseries contains images of objects and the exhibit.
Subseries contains images of paintings by John Laford.
Exhibition of items from Chinese Cultural Centre at MOA
Subseries consists of images of various items from the Chinese Cultural Centre exhibition.
Where are the children? Healing the legacy
Subseries consists of photographic slides of the Where are the Children? Healing the Legacy exhibition held from June to December of 2002.
Subseries contains records related to the <i>Where are the Children?</i> exhibit held by MOA. Curated by Jeff Thomas, and circulated by the Aboriginal Healing Foundation in Ottawa, this exhibition presented a series of historical photographs documenting the history of residential schools in Canada. The records include correspondence related to exhibit loans, temporary exhibit preliminary and finalized designs and a reference manual for setting up the exhibition.
Tom and Francis Richardson Collection
Subseries contains a timeline developed by McLennan regarding a collection of Northwest coast carvings, baskets, blankets and tools collected and received by the museum through a bequest from the late Tom and Frances Richardson in preparation for an exhibit.
Subseries consists of records relating to the <i>Through My Eyes</i> exhibit held at the Museum of Vancouver. The exhibit is a collaborative effort curated by 27 First Nations people of different Northwest Coast communities allowing them to “present their personal perspective” of their culture and its objects. McLennan was involved through managing the development, production and implementation of this collaborative effort. Records include photographs and slides of potential exhibit artifacts, media reviews, student paper reviews, exhibit project statements, transcripts of interviews done with First Nations artists, correspondence, consent forms for interviews and audio cassettes of the taped interviews which detail McLennan discussing various pieces of First Nations art with several artists.
Tsimshian treasures from the Dundas collection
This subseries consists of records related to the traveling exhibit that came to MOA called <i>Treasures of the Tsimshian from the Dundas Collection.</i> Records include draft correspondence, and draft exhibit photos and text (including case labels).
Subseries contains one file that consists of images of Buddhist monks creating a sand painting in the great hall of MOA.
Bill Reid: Beyond the essential form
Subseries contains the booklet produced as part of the Museum Notes program at the Museum of Anthropology titled Bill Reid: Beyond the Essential Form written by Karen Duffek.
This subseries contains images shown in the exhibit <i>Anonymous Beauty</i> curated by Miriam Clavir. This exhibit was on the Japanese handmade paper collection housed at MOA. In addition are 4 transparencies of the exhibit text.
This subseries contains images shown in the exhibit The Third Eye curated by Audrey Mackay Shane.
Museum Reports, Proposals and Evaluations
Part of Madeline Bronsdon Rowan fonds