Sub-series consists of records created and collected by Duff for his lectures including handwritten and typed notes, articles, and reports on a variety of subjects.
Consists of photographs in print and slide format documenting Gitxsan artists, both amateur and professional, that Jensen and Powell worked with or knew personally during their time living with the Gitxsan.
Series consists of records relating to Elizabeth Johnson’s statement of goals, and records relating to her projected activities as curator and her responsibilities for the MOA Archives outlined in a three-year plan. Records include statements of goals, program plans, memoranda, and correspondence.
Sub-series consists of term papers and essays written by Duff's students, mainly for Anthropology 301. The majority of the papers are the original copy.
Subseries consists of one file relating to an exhibition, proposed by Grace Young to Elizabeth Johnson, on the subject of the wok. The subseries includes a drafted exhibition proposal, correspondence, printed images, magazine and newspaper clippings, notes and extracts from Young’s book The Breath of the Wok.
Series consists of records relating to Elizabeth Johnson’s activities to obtain grant funding for a book on Salish weaving, research for monograph of preservation on Cantonese opera in Canada, Hakka urban village research, and collections documentation and research. Records include research and publication grant applications and reports, grant budgets, Salish weaving book, Cantonese Opera research, correspondence, and memoranda.
Sub-series consists of photographic prints and photocopies collected from other institutions for use on object labels in MOA's Great Hall. Items were originally housed in two large binders with dividers.
Subseries relates to a proposed exhibition or portion of an exhibition which was to be called ‘Blue Thread an Installation by Gu Xiong’. The subseries includes correspondence, an exhibition catalogue of Gu Xiong’s work, a consent form, and newspaper photocopies.
