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Series reflects Cunningham’s involvement in facility planning at MOA. This includes the development of the Gallery 10 orientation centre, visible storage area, and Gallery 3 development, as well as renovations to Gallery 5, theatre, the Great Hall, and the gift shop. Records in this series include blueline print, budgets, invoices, measurements, memoranda, plans, reports, and tender drawings.

Includes records related to the Reciprocal Research Network (RRN) stream of the Renewal Project. The RRN is an online tool designed to facilitate reciprocal and collaborative research about cultural heritage from the Northwest Coast of British Columbia. The RRN enables communities, cultural institutions and researchers to work together. Members can build their own projects, collaborate on shared projects, upload files, hold discussions, research museum projects, and create social networks. For both communities and museums, the RRN is groundbreaking in facilitating communication and fostering lasting relationships between originating communities and institutions around the world.

The RRN was co-developed by the Musqueam Indian Band, the Stó:lō Nation/Tribal Council, the U’mista Cultural Society and MOA. This collaboration ensured the needs of the originating communities as well as museums are taken into account at all stages of the development. (From RRN “About” page, https://www.rrncommunity.org/pages/about, accessed February 26, 2020).

Ann Stevenson was the RRN stream lead.

Series is divided into subseries based on functions of the RRN stream.

Powell first went to La Push, the Quileute village in Washington State, in 1969 to complete research for his PhD dissertation Proto-Chimakuan: A Reconstruction. While he documented the language he also developed relationships with the local families. During Jensen’s initial visit to La Push, the couple began their first collaborative work with the Quileute, as Jensen photographed the community for eventual use in a language book.

Powell completed his dissertation in 1974, but the language revival projects had only just begun for Jensen and Powell. Over the next 36 years, they spent time in La Push every year, sometimes travelling down for a weekend, and sometimes staying for a month or two. The results of these regular visits are a number of general linguistic books for adults and children; Big Books on culture specific themes to be used in schools; teaching materials to be used by Quileute language and culture teachers; cultural resource studies; dictionaries; and translated stories and resources for smaller language revitalization projects. The records in this series consist of Powell’s research notes; drafts and outlines for the language books; photographs documenting the community; Jensen’s photographs taken of particular subjects for use in language and culture books; audio and visual records of events, stories, and cultural activities.

Jensen and Powell have a continuing relationship with the Quileute and are currently involved in an ongoing language revitalization project. Another dictionary is due to be published in 2009.

The series consists of eleven sub-series:
A. Research
B. Field notes
C. Administrative records
D. Publications
E. Village life photographs
F. Modern basket weavers’ photographs
G. Counting book photographs
H. Historical photographs and artefacts
I. Photographs of La Push folks
J. Audio recordings
K. Quinault materials

Series consists of draft and final copies of Halpin essays, reviews and manuscripts. Some drafts are partly typed and partly handwritten. The reviews include both Halpin’s reviews of works by other authors as well as reviews of Halpin’s own published works. Some files include correspondence relating to publishing a paper or a review.

The series is divided into the following sub-series:

A. Articles, Papers and Books, 1968-2000
B. Reviews, 1973-1997

Series consists of published and unpublished papers, book reviews, prefaces and poems written by Dr. Halpin while she was the curator of Ethnology at the Museum of Anthropology. Included is Dr. Halpin’s paper on “Visible Storage”, a preface to Potlatch by Joe David, and an article on “Museums in Literature”.

Series consists of published and unpublished articles utilized by Madeline Bronsdon Rowan to carry out her educational function at the Museum of Anthropology and at the Department of Anthropology.

The series is divided into the following series:
A) Education Articles (1972-1982)
B) Native Culture Articles (1976-1979)
C) Museums and Exhibits Articles (1971-1982)

Series consists of original handwritten and typed text, reprints and journals containing articles by Duff.

Series relates to programming communications to the public and media. Series
consists of circulars, news releases, press releases, calendars, programme guides, correspondence, memoranda and other textual material.

Series consists of materials published or printed by the Museum of Anthropology, including books, reports, periodicals, and newsletters. Records in the series are divided into 13 files:

1. Annual Reports
2. Calendar of Events
3. Museum Notes
4. MOA News
5. Library Bulletin
6. Next @ MOA
7. MOA Magazine
8. Inside MOA
9. Exhibition Books and Catalogues
10. What's New and What's On At the Museum
11. Miscellaneous publications
12. Sourcebooks
13. Educational resources

Series consists of books created by or contributed to by Powell and Jensen. Many of the publications are final versions of the language education materials made for community use. A small number are publications on indigenous culture of the Northwest Coast for which Powell and Jensen were consulted, or in which Jensen’s photographs were used.

Series also contains a small number of magazine articles authored by Powell or Jensen.

Series consists of MoA publications that describe the museum’s public programs. Series also contains background information for Haida House programs. Series contains brochures, tabulated results, and the master copy of the miniguide survey. Series includes guidebook additions and published materials.

This series consists of records relating to educational programs and special events for the general public at MOA. Educational programs include self-guided and guided tours, children’s programs, and programs for adults relating to museum exhibits. Special events include lectures, film series, exhibit openings, exhibits programs, dance and theatre performances, concerts, artist talks and demonstrations, seminars, symposiums, dialogues, workshops, summer camps, welcoming ceremonies for visiting cultural groups (such as Tibetan monks and Maori), fashion shows, book launches, and research interviews. The series contains press releases, brochures and handouts, correspondence, memoranda, reports, newspaper clippings, photographs, meeting minutes, program instructions, program development, attendance sheets, schedules, audio and video recordings, audiotape inventory, and interview transcripts.

Series consists of material relating to the activities surrounding public programmes and events planned by the museum to engage the public. Also see audio tapes MOA 70 and 71 which consist of Audrey Hawthorn, accompanied by Elvi Whittaker, giving a tour of the museum. Record forms in this series include correspondence, newspaper clippings, memoranda, photographic negatives, ephemera, plans, budgets, financial statements, receipts, and a copy of the June 9, 1976 edition of UBC Reports, and a copy of Canadian Art Review VI/I/1979.

The series is arranged into three subseries:
Subseries A: Planning
Subseries B: Film and Video Screening
Subseries C: Special Events

Series consists of correspondence and memoranda, reports, brochures, pamphlets, handwritten notations, invitations, programmes, photographs, slides, newspaper clippings, advertisements, and other textual and graphic records related to public programmes and events produced by the Museum of Anthropology. The series includes records relating to specific programmes, the planning of programmes, museum film and video productions and their viewing, as well as records regarding special events and performances held at the museum. Also includes planning records relating to the museum’s involvement with Expo’86.

The series is divided into the following subseries:

A. Planning Files 1974-1983

B. Programmes Files 1976-1990

C. Film and Video Files 1976-1984

D. Special Events Files 1975-2013

E. Expo ’86 Files 1984-1986

F. Vancouver 2010 Olympic Games Files 2002-2010

Series consists of records created, received, and/or used by Rosa Ho in her capacity as Curator of Art and Public Programmes. Rosa Ho was responsible for the planning and production of the public programmes, exhibitions, performances, lecture series, film series, panel discussions, seminars and other events hosted by and produced in whole or in part by the Museum of Anthropology. Series includes records that document the planning and production of exhibitions, public programmes and events.
Series contains correspondence, memoranda, press releases, publications, photographs, photographic negatives, proposals, policy drafts, performance reports, newspaper clippings, brochures, financial statements, itineraries, meeting minutes, agendas, event schedules, lists of artists and speakers, budgets, reports, artifact lists, contact lists, handwritten notes, scholarly articles, exhibition programs, sign-up sheets, museum layouts, performance reports, recipes, audio tapes, questionnaires, announcement cards, art work, insurance waiver forms, artist statements, funding application forms, videos, and video transcriptions, postcards, posters, handbills, and other materials relating to public programme planning.

The series is arranged in the following 3 sub-series:
A. General, national and international public programmes (1987-1999): Subseries consists of records relating to planning and production of general, national, and international public programmes and events.
B. British Columbia First Nations public programmes (1985-1999): Subseries consists of records relating to the planning of British Columbia First Nations public programmes.
C. Brochures, posters, press releases (1980-1997): Subseries consists of records relating to a variety of media related publications for exhibitions, seminars, concerts, and programs.

Series consists of records relating to proposals for development of exhibits at MOA which did not result in completed exhibitions. The series includes memoranda, correspondences, notes, proposals, budgets, interview transcripts and photographs.

The series is arranged into the following sub-series:

Subseries A: Exhibit Cultural Property
Subseries B: Mah [Unbound Lives: Chinese Women’s Dress in the Twentieth Century Exhibit Proposal
Subseries C: Textile Exhibit
Subseries D: Exhibit Ideas
Subseries E: Textile Access Project
Subseries F: Door Gods
Subseries G: Mayan Project
Subseries H: Gu Xiong
Subseries I: Grace Young
Subseries J: Ulli Steltzer Photograph Exhibit

Series consists of interview transcripts, film scripts, reports, guidelines, photographs and research notes pertaining to various projects conducted at the Museum of Anthropology by Madeline Bronsdon Rowan, including the Penal Project, Haida House, Kwakiutl House Carving Project, Centennial Projects and Bill Reid's interview, "Haida Means Human Being".

Series consists of records created by William McLennan in the course of planning and photographing various projects and events at MOA.

Projects are considered as having a longer duration, often occuring outside of the physical museum building, and in cooperation with other bodies. McLennan often liaised with First Nation communities and artists during the planning stages of projects.

Events are considered as having occurred over a short period of time. Events were attended by McLennan as a MOA representative and photograph.

On both projects and events McLennan took on larger roles in addition to photographer such as community liason, presenting on topics, and designer. Each project and event comprises their own sub-series.

Series consists of correspondence, memoranda, proposals, drafts, research notes, draft text for exhibit labels, sketches, postcards and other textual material relating to numerous projects undertaken by Shane and others in the Museum. Includes records relating to the expansion of the Museum, Museum postcards, special projects related to improving corridor cases, access to totem poles and exhibits.

Series contains materials related to programs, events, and particular milestone ceremonies/celebrations at the Museum of Anthropology. Materials are primarily publicity, such as press releases, newspaper clippings, flyers, and invitations. Other record types include informational booklets, programmes, and registration forms. The series is divided into 15 files:

1. Field trips and day tours
2. Talks and workshops
3. Performances and screenings
4. Ceremonies and celebrations
5. Totem pole raisings
6. Youth and children's programs
7. School programs
8. Native Youth Program
9. Sunday programs
10. MOA construction and opening
11. Bill Reid tribute
12. MOA open house
13. 50th anniversary
14. Partnership of Peoples
15. Miscellaneous programs

Some files group together materials related to specific types of programming or events ("Talks and lectures," or "Youth and children's programs," for example). Other files are focused on a specific program, event, or ceremony. The "Miscellaneous programs" file groups together materials related to more than one type of program or event.