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File contains correspondence between McLennan and Cynthia McLean, as well as printed webpages from the Shingwauk Project, and a series of postcards showing aboriginal people published from the Bernat Museum of Anthropology, University of Western Australia.

File contains information and images of the inside and outside of St. Michael's Residential School.

File contains digital photographs and composite images created in Photoshop. Most of these images were used in the exhibit <i>Speaking to Memory</i>, and were also used in presentations by McLennan on the exhibit. This file contains one sub-folder.

This sub-folder contains photographs taken of the installation of the<Speaking to Memory<\i> exhibit and the take down of the <i>Safar Voyage</i> exhibit.

File contains digital photographs of installing the large canvas images in the <i>Speaking to Memory</i> exhibit.

Subseries consists of images used in the Museum Note No. 23 <i>Bob Boyer: A Blanket Statement</i>

File contains photographs of a pole raising ceremony. Included are images of drummers, and community members in regalia, and transporting and raising the totem pole.

Subseries contains one file containing a photograph showing First Nations community members walking down the ramp in the great hall at the Museum of Anthropology.

Individuals in the photo include: Dominic Point, Vince Stogan, Wendy Grant [now Wendy John], David Joe, Margaret Dan, Edna Stogran, Debra Sparrow, Mary Charles, Wes Grant, Virginia Joe, Char Grant, Adeline Point, Johnna Sparrow, Stanley Charles, and Victor Guerin. (Identified by Debra Sparrow, June 13, 2017. Recorded by Sue Rowley).

Subseries contains three files consisting of records related to the Bill Reid symposium which was titled “The Legacy of Bill Reid: A Critical Enquiry”. The records comprise planning of the symposium, research done after the symposium on related topics, and McLennan’s presentation.

Subseries contains images mostly taken by McLennan that show the Bill Reid pole which sat outside the Museum of Anthropology at UBC being taken down and moved inside the museum because it was no longer stable due to weathering. This spurred a project funded with a Canada Council grant to then create a new pole to put up in its place. This pole was carved by Jim Hart and called the Respect to Bill Reid pole.

Fonds consists of records created by McLennan during his employment at the Museum. Fonds has been arranged into six series. The first series is titled Exhibits and relates to McLennan’s role first as a designer and photographer of exhibits and later as a curator of exhibits. Each exhibit is arranged into a separate subseries. Some of the photographs were taken by staff who worked for McLennan.

The second series is titled Projects and events. This series relates to McLennan’s role as photographer. He has recorded many events and documented projects through the use of photography. On some projects he also took on the role of designer.

The third series is titled Multiversity galleries and contains materials related to the creation of the Multiversity gallery space which occurred as part of the Partnership of Peoples Renewal project from 2007-2010.

The fourth series is titled general research and contains materials related to McLennan’s research in art on the northwest coast of British Columbia. The research series has been sub-divided into four sub-series: museums, archives and subject files, artist files, culture photographs and books.

The fifth series is titled Bill Reid and contains materials created and collected about Bill Reid and his work by McLennan.

The sixth series is titled Administration, public relations and correspondence and relates to McLennan’s administrative role at MOA, containing administrative records.

Additional digital records from this fonds are still being processed and will be added to this finding aid at a later date.

Subseries contain the images used in the Museum Notes booklet titled Totem Poles: An illustrated Guide by Marjorie M. Halpin, as well as a copy of the booklet.

ref # 1-1-A

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

Subseries consists of images published in The Leary Collection of Cypriot Antiquities written by Caroline Williams as well as a copy of the booklet.

File contains images of Anthony Island, and one of Wilson Duff doing archaeology.