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File contains copies of correspondence between McLennan and the Royal Ontario Museum (ROM) regarding MOA borrowing some pieces from their collection to showcase in the <i>Signed Without Signature</i> exhibit. The majority of the photographs contain in this file are images of a cedar hat held at the ROM. Other photographs depict gold and silver bracelets.

File contains images of bentwood boxes housed at the Royal Ontario Museum. The textual records contained in this file are copies of catalogue records.

File contains photocopies of images of silver bracelets held at the Royal British Columbia Museum.

File mainly contains images of bentwood boxes, but also contains images of other Northwest Coast Artifacts such as cedar hats. The textual records in this file are copies of catalogue records from the RBCM.

File contains photocopies of images of silver bracelets held at the Royal British Columbia Museum. The file also contains print outs of the RBCM's online catalogue of various bracelets held in their collection.

File contains photographs of Northwest Coast painted designs. In addition are lists of object housed at the Royal British Columbia Museum, and correspondence between McLennan and museum staff.

File contains copies of still images permission forms from the Royal British Columbia Museum, as well as copies of correspondence between McLennan and the RBCM regarding obtaining images from the RBCM for the <i>Signed without Signatures</i> exhibit. There are also photocopies of the images of cedar hats and silver bracelets supplied by the RBCM. The contact sheets include images of a cedar hat.

Subseries contains images showing the exhibit.

File consists of images objects and a publication titled "We Sing to the Universe: Poems by Ron Hamilton" for which Bill McLennan photographed the artwork on the cover. In addition, is a letter from Ron Harrison to Bill McLennan.

File contains colour photographs of Northwest Coast bentwood boxes, masks, and other artifacts housed at the Royal Ontario Museum.

File contains correspondence regarding photographing objects for the Image Recovery Project.

Subseries contain the images used in the booklet Robes of Power: Totem Poles on Cloth written by Doreen Jensen and Polly Sargent, as well as a copy of the booklet. In addition, there are images of a children's workshop that took place during the exhibit at the Museum of Anthropology.

File contains book and exhibit pamphlet for exhibit Robes of Power: Totem Poles on Cloth. The book published from this exhibit is No. 17 of the Museum Notes Series In addition are two letters of correspondence.

File contains images contained in the book and exhibit Robes of Power: Totem Poles on Cloth, written by Doreen Jensen and Polly Sargent.

Subseries consists of material created by Jacquie Gijssen and Karen Duffek, two MOA employees who were in charge of McLennan’s office while he was working on Expo ’86. During this time, they visited Robert Davidson at his studio in Semiahoo Village where he was carving three totem poles for the Pepsi Cola Sculpture Garden. Karen interviewed Robert about the work on two occasions and Jacquie photographed the work on the pole over the year of 1986. The series consists of interview notes by Karen and negatives and slides by Jacquie.

File contains images of Robert Davidson and the Rainbow Creek Dancers performing. In addition are digital files taken by Steven Muchnick and Eric Milliren of the event as well as images of the Museum of Anthropology and objects in a private collection.

File contains images of Robert Davidson and his work featured in the exhibit <i>Raven Bringing Light to the World</i>. This exhibit was on at the Museum of Anthropology, UBC in 1986.

File contains images used in publication "Cycles: The Graphic Art of Robert Davidson, Haida" by Marjorie Halpin, as well as a copy of the publication. The file also contains correspondence between Bill McLennan and Robert Davidson.

Subseries contains images of Robert Davidson unveiling his work titled Raven Bringing Light to the World.

File contains images of Robert Davidson in his studio and of his artworks.