- 132-1-C-C-a041593
- Item
- [197-?]
Parte deMOA General Media collection
Image of a Chilkat blanket from Fort Rupert by Mary Ebbets Hunt.
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Parte deMOA General Media collection
Image of a Chilkat blanket from Fort Rupert by Mary Ebbets Hunt.
Detail of the barb from a harpoon head
Parte deMOA General Media collection
Detail of a decorated barb from a harpoon head.
Parte deMOA General Media collection
Two Nuu-chah-nulth wolf headdresses. These were used as temporary grave parkers to indicate a memorial potlatch was being planned.
Parte deMOA General Media collection
A wolf headdress. These were used as temporary grave markers to indicate a memorial potlatch was being planned.
Parte deMOA General Media collection
Display of weaving techniques, possibly of Tlingit peoples, from an unidentified museum, possibly the American Museum of Natural History.
Parte deMOA General Media collection
Image of a Tlingit war helmet. The caption for this slide says it is from the "Milwaukee Museum," possibly the Milwaukee Public Museum.
Parte deMOA General Media collection
Image of a bear shaped interior house post. This appears to be a house post that was transferred from Hope Island to the Museum of Anthropology in 1956.
Parte deMOA General Media collection
Image of a cradle constructed largely using kerfs to bend a long board. This photograph may be from an exhibit at the old Museum of Anthropology dealing with Northwest coast technology.
View from the ramp of the Museum of Anthropology
Parte deMOA General Media collection
View from the ramp of the Museum of Anthropology looking towards a display of feast dishes.
Parte deMOA General Media collection
View of what is now called the Bill Reid Rotunda. Instead of Raven and The First Men on display here, a Haida house frontal totem pole is on display. This pole was transferred to the Museum of Anthropology from Tanoo in 1954.
Parte deMOA General Media collection
An early photograph of the Museum of Anthropology. Two totem poles are visible on the museum grounds.
Whistles on display in visible storage
Parte deMOA General Media collection
Whistles on display in visible storage at the Museum of Anthropology.
Hope Island, Humchitt posts rear
Parte deHarry B. Hawthorn fonds
Image of two old house posts on Hope Island, BC. The post on the right appears to be the same as a post now housed at the Museum of Anthropology, that was collected from Hope Island in 1956. Both posts feature a human figure with large eyes. On one post, the figure is holding a small face near its waist. On the other post, the figure is holding what appears to be an animal of some kind. The Museum of Anthropology's website provides the following description of the posts: "The posts of the unfinished house of Ha'm'cit were carved by a man from Smith Inlet called Si.wit who moved to Xu'mtaspi and married Tom Omhyid's mother. Ha'm'cit died before the house was finished. (Information provided to Prof. Wilson Duff by Mungo Martin). The artist's potlatch name was P'aczsmaxw. Wayne Suttles places the Xu'mtaspi village as Nahwitti, in historic times, however it was occupied jointly by the Nahwitti, the Yalhinuxw, and the Noqemqilisala (of Hanson Lagoon)."
Parte deHarry B. Hawthorn fonds
Image of a section of a totem pole, featuring a beaver, on Anthony Island, Haida Gwaii. This appears to be a pole now housed at the Museum of Anthropology (museum item #A50013). This museum item has the following description: "Base section of a wooden totem pole, crescent shaped in cross section and carved in shallow and deep relief. Depicted is a seated beaver with one potlatch ring between erect ears; protruding upper incisors; raised forepaws and hind paws grasping chewing sticks. Below its rectangular shaped crosshatched tail is a human face with large circular eyes. Traces of blue in eye sockets and around nostrils... Beaver was one of crests owned by the lineage of Chief Ninstints (Tom Price), 'Those Born Up the Inlet', of the Eagle moiety... Remainder of pole, except top figure, burned when the village was burned in 1892 by the Koskimo and the crew of a sealing schooner. ."
House beams, front or rear, Anthony Island
Parte deHarry B. Hawthorn fonds
Totem pole or house post, Anthony Island
Parte deHarry B. Hawthorn fonds
House frontal totem pole, Anthony Island
Parte deHarry B. Hawthorn fonds
Image of an old house post on Anthony Island, Haida Gwaii. This appears to the same as a post now housed at the Museum of Anthropology. This museum item is decribed as follows: "The lower section of a totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: bear with protruding tongue and raven on body, kneeling on head of unknown creature... Figures probably from historical narratives owned by lineages of house owner and wife. Grizzly bear was a crest of the lineages of the 'Striped Town People' and 'Sand Town People' of the Raven Moiety, to one of which the husband may have belonged. The supernatural Snag was also a crest of the 'Striped Town People'. Human arms of the raven or cormorant may indicate ability to transform from animal to human."
Parte deHarry B. Hawthorn fonds
Parte deHarry B. Hawthorn fonds
Image of a house post on Anthony Island, Haida Gwaii. This appears to be a post now housed at the Museum of Anthropology (museum item #A50016). This museum item is described as follows: "Totem, crescent shaped in cross section, carved in shallow and deep relief. From top to bottom: human with hands at right angles and fingertips touching. The arms are folded with the elbows resting on squared ears of figure below. Enclosed within this frame is a small human/hawk face with beak, surmounting the head, shoulders, and forepaws of an emerging bear cub. At the base is a bear from whose ears frogs look downward. The bear has curled nostrils; upturned mouth, raised forearms with five fingers folded over each palm, small human face between forearms... Stood at centre of back wall inside house called 'Raven House', belonging to the lineage of the'Sand Town People' of Raven moiety of Kunghit Haida. MacDonald lists it as house number 17... Pole standing when collected...Figures are crests belonging to the lineage of the owners of the house, the 'Sand Town People' of the Raven moiety. They may also refer to the Bear Mother myth."
Parte deHarry B. Hawthorn fonds