Saxmen Tlinget dancing at Totem Bite [Bight], Ketchikan, Alaska
- 134-a040189c
- Item
- 24 Aug. 1972
Part of E. Polly Hammer fonds
284 results directly related Exclude narrower terms
Saxmen Tlinget dancing at Totem Bite [Bight], Ketchikan, Alaska
Part of E. Polly Hammer fonds
Saxmen Tlinget dancing at Totem Bite [Bight], Ketchikan, Alaska
Part of E. Polly Hammer fonds
Part of Anthony Carter fonds
Image of Kingcome resident holding a mask carved by the late chief Willie Seaweed of Blunden Harbour. A colour version of this image is printed on page 49 of Carter's book From History's Locker.
Anthony Carter
Salmon Trolling boats in Kyuquot Sound
An image of four boats in the water, mountains and woods in the background. According to the documentation included with the filmstrip, the description of the image states "Trolling for salmon in Kyuquot Sound. Why do the boats have their poles down?"
Part of Virginia Kehoe fonds
Image depicts several adults standing outside, at a salmon barbecue. One woman wears an apron and salmon is visible behind the people.
Series contains records relating to Jensen and Powell’s work with the Salishan language groups in Musqueam and Shalalth territories, and events related to those communities. Although the records were created in a number of villages at different periods of time, Jensen and Powell arranged them together due to the linguistic connection they share.
In 1975 Powell received an Urgent Ethnology grant from the National Museum of Man (Now the Canadian Museum of Civilization) to do linguistic work in Kitamaat. However, this work fell through, and Powell contacted Arnold Guerin of the Musqueam band to discuss using the grant to prepare materials for Guerin’s Hunqum’i’num classes. Together they planned to produce three books: one of phonetics, one on grammar, and one on maths, with Jensen’s assistance in the layout and photography. From reel-to-reel recordings Powell and Paul Thiele of the UBC Library for the Blind produced cassettes to accompany the books. Only the first book was completed as planned, but Powell adapted the notes they had already taken to create two books for younger children. All of this resulted in Musqueam Language: Book 1 and Hunq’um’i’num for Kids: Books 1 & 2. Three years later in 1978 Leona Sparrow hired Jensen on grant money to teach a black and white photography course.
In 1989 the principal of the Shalalth School asked Powell to work with the band on language books. With Harold Oldman and Bev Frank he compiled materials for two books, which were not published. He also completed an alphabet sheet for the community to use.
Series also includes photographs taken by Jensen in 2003 of a ceremony returning city land to the Musequeam near Vanier Park.
Series comprises four sub-series:
A. Field notes and research
B. Publications
C. Musqueam photographs
D. Salishan audio recordings
E. Squamish photographs
File consists of photographs taken during the annual Salish Language Conference, held in this case on the OMAC reserve in Washington sate. Many of the photographs are of a Mrs. Smith giving a traditional food deomonstration. Also included are images of pow wow style dancing.
File contains a combination of historical photographs depicting village life of the Coast Salish people, and modern day photographs of Salish artifacts housed in various museums around the world. The historical photographs contain images of Coast Salish peoples, totem poles, house posts, canoes, and petroglyphs. The modern day photographs contain images of Coast Salish artifacts such as blankets, spindle whorls, masks, carvings, house posts and totem poles, and household items such as combs and bowls. The textual records contained in this file are photocopies of images of Coast Salish artifacts housed in various museums around the world.
File consists of photographic prints depicting Salish cultural objects from other institutions. Many of the prints are annotated with handwritten, stamped, or typed information about the contents of the images or their original repositories. The contents of this file were used to create object labels for Canada Museum of History Object ID VII-G-359 and MOA Object ID A1780; A1781; A50003; A50004; and A50005 a, b, & c in MOA's Great Hall.
Part of Edward F. Meade fonds
Item is an image of pictographs and petroglyphs. According to annotations, image was taken by E. F. Meade.
An image of a beach shore with woodland in the background. According to the documentation included with the filmstrip, the description of the image states "The beach at Rugged Point is a good place to swim, beach comb, and picnic."
Part of Anthony Carter fonds
File consists of image of Haida artist Rufus Moody, taken in what appears to be a home. A woman identified as Lucette is featured as well in a number of the images, possibly his wife. Also included is an image of some of his argillite carvings.
Anthony Carter
Rudy Kovach and Anthony Carter in the Great Hall
Part of MOA General Media collection
Two men, possibly Rudy Kovach and Anthony Carter, stand near a house frontal totem pole newly installed in the Museum of Anthropology.
Rudy Kovach and Anthony Carter in the Great Hall
Part of MOA General Media collection
Two men, possibly Rudy Kovach and Anthony Carter, stand near a house frontal totem pole newly installed in the Museum of Anthropology.
Part of MOA General Media collection
Roy Hanuse Painting a panel in what appears to be the old Museum of Anthropology location in the basement of the library.
Part of MOA General Media collection
Roy Hanuse carving what appears to be a Dzunukwa mask.
Part of Edward F. Meade fonds
Item is an image of a rock with petroglyphs, surrounded by smaller rocks and stones, probably in a beach area. According to annotations, petroglyphs are round pecks on beach boulder, and image was taken by E. F. Meade. Original slide in
Rose Point Nov 10/99 Betsy & Johnson Jill Baird.