Item is an image of a rock with petroglyphs, surrounded by smaller rocks and stones, probably in a beach area. According to annotations, petroglyphs are round pecks on beach boulder, and image was taken by E. F. Meade. Original slide in

Item is an image of pictographs and petroglyphs. According to annotations, image was taken by E. F. Meade.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.

Item is an image of pictographs and petroglyphs. According to annotations, image was taken by E. F. Meade.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by L. M. Greene.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia, the west coast of the United States of America, Scotland, Russia, and Guyana. According to annotations, some of the photographs were taken by Dr. Akladakov (?) and Arthur Goodland.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by Dick Pattinson, C. Gades, and Dr. Foskett.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by Morley Raven.

Series contains textual records contextualizing the petroglyphs and pictograms found in the graphic materials. Narrations include descriptions of the sites and their geologic evolution over the years that is leading to the loss of rock surface and petroglyphs and pictograms. Text also documents E. F. Meade’s hypothesis on how some of the petroglyphs and pictographs may have been carved and painted and his interpretations on the reasons behind the locations and purpose of some of them. The author also mentions conversations with local Indigenous peoples inquiring about the petroglyphs and pictographs and areas where he could not get documented due to issues with his equipment. Lastly, narrations include quotations and references to accounts by Capt. Vancouver, Archibald Menzies, and Alexander McKenzie describing the shore and locating some of Vancouver’s descriptions based on Meade’s knowledge of the coast and archaeology.

The collection includes material relating to Alert Bay that was created or collected by Thomas and Mildred Laurie, as well as photographs and textual records created or received by James Barclay Williams, who bequeathed the records to Mildred Laurie. The collection includes a photo album, photographs, postcards, correspondence, newspaper clippings, pamphlets, and a calendar. Photographs document Alert Bay and the surrounding area, including the B.C. Packers store, Christ Church, the native cemetery, St. Michael’s Residential School and Preventorium, Canada Packers, Hardy Bay, totem poles, a long house, and the Nimpkish Hotel. Photographs also document local events, including potlatches, weddings, an outdoor salmon barbeque, BC centenary celebrations in 1958, native ceremonies, and a visit by the Governor General.

The material is arranged in the following files:

01 - James Barclay Williams – Correspondence and press clippings, 1968-1972
02 - James Barclay Williams – Photographs, [1908?]-1967
03 - Mildred Laurie - Photo album photographs, [194-]-1974
04 - Mildred Laurie – Photographs and postcards, [194-]-[199-]
05 - Slides and negatives, 1952-1972
06 - Pamphlets, ephemera, and press clippings, 1947-2003
07 - James Barclay Williams – Photo album, 1940-1941

Item is an image of a tombsone for William Wastesecoot. According to annotations, photograph was taken at the Indigenous Peoples Graveyard, York Factory, Manitoba.

File consists of slides depicting Prince Charles' visit to Treaty 7 Territory in Alberta in 1977.

File consists of slides depicting Prince Charles' visit to Treaty 7 Territory in Alberta in 1977.

File consists of slides depicting Prince Charles' visit to Treaty 7 Territory in Alberta in 1977.

File consists of Carter's press pass and a media itinerary and information booklet from Prince Charles' visit to Alberta in 1977.

The fonds consists of black and white photographs and negatives. Subjects depicted include villages, boats and ferries, landscapes, bridges, logging clearcuts, and totem poles. Some of the photos appear to be of the Lions Gate Bridge, Stanley Park, and the Capilano Suspension Bridge.