Item is a close-up image of a rock with pictographs. According to annotations, image was taken by E. F. Meade. Original slide included number 27.

Item is an image of a rock formation with a tree placed horizontally in the foreground. According to annotations, image was taken by E. F. Meade. Original slide included number 15 "extra."

Item is an image of a rock formation with a tree placed horizontally in the foreground. According to annotations, image was taken by E. F. Meade.

Item is an image of a wall with pictographs with plant in the foreground. According to annotations, image was taken by E. F. Meade.

Item is an image of a wall with pictographs. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of a rock with pictographs. According to annotations, image was taken by Louis Poitras.

Item is an image of a wall with pictographs. According to annotations, image was taken by Louis Poitras. Original slide included number 17.

Item is a close-up image of a wall. According to annotations, image was taken by E. F. Meade.

Item is an image of pictographs and petroglyphs on a vertical surface. According to annotations, image was taken by E. F. Meade.

Item is an image of rock with pictographs and petroglyphs held by someone. According to annotations, image was taken by E. F. Meade.

Collection consists of 81 b&w photographic prints of the Brooks heads and one of the Vancouver airport.

The fonds consists of four photographs taken by Richard Cotton of mortuary poles on an island in the Skeena River near Kitsilas, BC.

The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.

The fonds consists of photographs created by Ronnie Tessler between 1986 and 1987 documenting a canoe project by Nisga’a carver Norman Tait. The project was abandoned in the summer of 1987, and the canoe was left uncompleted. The photographs depict models for the canoe, transportation of the log for the canoe to the Museum of Anthropology, ceremonies performed throughout the project, and various stages of work on the canoe and model. Additional photographs from this period depict a totem pole-raising ceremony at Capilano Mall in North Vancouver, as well as portraits of Les Baker, a model Tait wanted to use for a “white man” mask. The fonds is arranged into a single series: Norman Tait canoe project and related materials.

Item is an image of a rock with petroglyphs, surrounded by smaller rocks and stones, probably in a beach area. According to annotations, petroglyphs are round pecks on beach boulder, and image was taken by E. F. Meade. Original slide in

Item is an image of pictographs and petroglyphs. According to annotations, image was taken by E. F. Meade.

The fonds consists of photographs of Gloria Kaplan with various indigenous artists, whose names have been recorded in the image titles and IPTC metadata. The photographs were taken by Selig Kaplan with the intention of documenting the artists from whom the Kaplans acquired artwork or anticipated acquiring artwork from.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.