Item is a close-up image of petroglyphs carved on the ground. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of petroglyphs carved on the ground. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of petroglyphs. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of petroglyphs with paint. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of petroglyphs with paint. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of vertical wall with petroglyphs. According to annotations, image was taken by E. F. Meade.

Item is a close-up image of chalked petroglyphs. According to annotations, image was taken by E. F. Meade. Original slide included number 3544.

Item is a close-up image of chalked petroglyphs on a rock with a body of water in the background. According to annotations, image was taken by E. F. Meade. Original slide included numbers LC3001 and 3545.

Item is a close-up image of petroglyphs. According to annotations, image is of pecked faces and was taken by E. F. Meade.

Item is a close-up image of chalked petroglyphs on a rock. According to annotation, image was taken by E. F. Meade.

Item is a close-up image of a petroglyph pecked on a sandstone rock with smaller rocks on the side, probably in a beach area. According to annotations, image was taken by E. F. Meade and is a "close-up of number 12."

Item is a close-up image of a petroglyph pecked on a rock with smaller rocks on the side, probably on a beach. According to annotations, image was taken by Dr. Foskett. Original slide included number LC3001.

File contains graphic materials depicting petroglyphs and pictographs in the coast of British Columbia. According to annotations, some of the photographs were taken by Morley Raven.

Item is an image of a beach boulder with petroglyphs and surrounded by smaller stones, probably in a beach. According to annotations, image was taken by Morley Raven.

Item is an image of a rock with petroglyphs. According to annotations, image was taken by Morley Raven.

Fonds consists of photographic prints and text labels used in the “Emergence from the Shadow: First Peoples’ Photographic Perspective” exhibit at the Canadian Museum of Civilization, from October 22, 1999 to January 6, 2002. The images depict several different First Nations groups including Haida, Kimsquit, Bella Coola, Ulkatcho-Carrier, Chilcotin, Assiniboine, and Gitksan. The label text incorporates information which Smith recorded at the time of creation. It gives name and age (if known) of the sitters as well as lineage, employment, and style of dress.

The fonds consists of records created and collected by Harry B. Hawthorn in a number of different capacities: as researcher, professor, Dean of Anthropology and Director of the Museum of Anthropology. Textual records in the fonds include correspondence, transcripts, research notes and clippings from publications. Much of the graphic materials relate to Harry Hawthorn’s interactions with Indigenous communities as an anthropologist, a professor, and as the Director of MOA. Other images relate to his personal life, documenting his youth in New Zealand, his life as a father and anthropologist, and his later established professional roles.

Fonds consists of a paper written for Anthropology 301 taught by Professor Dr. Michael Kew, entitled [Red Cod Island Village or Ninstints Village] - A Memorial, with accompanying colour slide images of the carved poles of Anthony Island, a permanent village of the Kunghit Haida, located on the southern shores of Haida Gwaii.

The fonds consists of 17 photographic prints taken by Robert Keziere on October 20, 1982 of artist Bill Reid working in his Kerrisdale (Vancouver) studio. The film remained unprocessed until 2009, when it was developed and the prints, contact sheet, and DVD were created. The DVD contains image files in multiple resolutions. In 2021 an additional roll of film was discovered by Keziere and prints, negatives, contact sheet, and USB flash drive were added to the fonds.

The fonds consists of one file titled Interview Transcripts, which contains recorded interviews, transcripts, and printed copies of transcribed interviews of research done by Sharon Fortney towards her PhD thesis titled Forging New Partnerships: Coast Salish Communities and Museums. Forney's thesis explores what motivates Coast Salish communities to participate in museum representations; considers the legal implications of such representations with respect to aboriginal rights; and analyzes of the diverse experiences of Coast Salish individuals in specific museum projects and partnerships with the goal of progressing museum and community interactions along a path to equal partnership.

The audiotapes in the fonds contain interviews with Coast Salish community members and artists regarding museums. The CD-R contains transcripts of interviews and is located in the temporary CD storage box. Sharon Fortney's curriculam vitae, thesis abstract, and 10 interviewee consent forms are located in the case file.