Subseries I - Eulachon: A Fish to Cure Humanity

Title and statement of responsibility area

Title proper

Eulachon: A Fish to Cure Humanity

General material designation

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Title notes

  • Source of title proper: Supplied title based on contents of the subseries.

Level of description

Subseries

Reference code

I

Edition statement

Edition statement of responsibility

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Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • 1990-1993 (Creation)

Physical description area

Physical description

12 cm of textual records and other material

Publisher's series area

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Archival description area

Name of creator

([19-?] -)

Custodial history

Scope and content

Subseries consists of records relating to the exhibit “Eulachon: A Fish to Cure Humanity.” The exhibit was installed in Gallery 5 at the Museum of Anthropology from February 5 to May 31, 1992, and explored traditions associated with the fishing of eulachon and technology used to render its oil. In his capacity as Designer, Skooker Broome worked on the planning, designing, and installation of the exhibit. Records include: memoranda, correspondence, negatives, color photographs, b&w photographs, thumbnail photographs, transparencies, French and English exhibition captions and didactic panels, travel receipts, pencil and ink drawings, published articles, artifact lists, project summaries, budgets, a fish stamp, conservation records, exhibit catalogue drafts, colored photocopies of photographic images, exhibit diagrams, exhibit instructions, exhibit layouts installations, and designs.

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Where information was located on the outside of envelopes containing photographic materials, the envelope and the contents of the envelope are kept together and maintained in the file.

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Script of material

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Generated finding aid

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Accruals

Physical description

Includes: 12 cm of textual records, transparencies, 1 rubber stamp, and ca. 300 photographs : b&w and col. prints and negatives.

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