- 1-4-A-55 (25.6)
- File
- [198-]
File contains several photocopies of articles published about the Haida First Nations.
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File contains several photocopies of articles published about the Haida First Nations.
Part of Edward F. Meade fonds
Series contains textual records contextualizing the petroglyphs and pictograms found in the graphic materials. Narrations include descriptions of the sites and their geologic evolution over the years that is leading to the loss of rock surface and petroglyphs and pictograms. Text also documents E. F. Meade’s hypothesis on how some of the petroglyphs and pictographs may have been carved and painted and his interpretations on the reasons behind the locations and purpose of some of them. The author also mentions conversations with local Indigenous peoples inquiring about the petroglyphs and pictographs and areas where he could not get documented due to issues with his equipment. Lastly, narrations include quotations and references to accounts by Capt. Vancouver, Archibald Menzies, and Alexander McKenzie describing the shore and locating some of Vancouver’s descriptions based on Meade’s knowledge of the coast and archaeology.
The Adventures and Sufferings of John R. Jewitt: Captive of Maquinna
Part of Hilary Stewart fonds
Subseries consists of material related to the production of Stewart's book The Adventures and Sufferings of John R. Jewitt: Captive of Maquinna, first published in 1995. This book contains the previously published narrative written by Jewitt (published in 1816), with annotations and illustrations by Stewart.
The Copper that Came from Heaven: Dance Dramas of the Kwak'waka'wakw
An image of a group of children standing on a boat, looking and smiling at the camera, two of them holding a sign "The End". According to the documentation included with the filmstrip, the description of the image states "The end. We all hope you have enjoyed our filmstrip!"
An image showing a boat docked nearby a small shed with fuel tanks and barrels standing around. According to the documentation included with the filmstrip, the description of the image states "Kyuquot's freight boat "Patsco" is shown moored to the fuel wharf. Every Thursday Patsco motors up the inlet thirty miles to the nearest road to meet the freight truck. Food for the store and heavy items come in on Patsco. Can you see the fuel drums and propane tanks on the wharf?"
A close-up image of a harbor seal on a wharf. According to the documentation included with the filmstrip, the description of the image states " Meet Charlie, a harbor seal, who lives in our cove. Charlie is eleven years old now, but she was a baby when this slide was taken. She was brought into the cove by seal hunters who had killed her mother. A local family adopted and raised Charlie, feeding her with a baby bottle until she was able to catch her own food. She lives year round in the cove, suns herself on our wharfs, and plays with the local children. Sometimes she sneaks into a fish camp and helps herself to a choice salmon. Everyone in Kyuquot loves Charlie."
The Medicine Man talks to the Chief of the Six Tribes
Part of A.A. Kingscote Collection
Postcard depicts two Indigenous people standing in front of a row of seated and standing onlookers. Verso of the postcard indicates that the publisher is "The Valentine & Sons United Publishing Co. Limited" and includes pencil annotation that reads "Sask?"
The mortuary house being reassembled
Part of MOA General Media collection
Image shows the mortuary house while it was being reassembled.
The mortuary house being reassembled
Part of MOA General Media collection
Image shows the mortuary house while it was being reassembled.
The mortuary house being reassembled
Part of MOA General Media collection
Image shows the mortuary house while it was being reassembled.
Part of MOA General Media collection
An early photograph of the Museum of Anthropology. Two totem poles are visible on the museum grounds.
The only standing totem left at Uchucklesaht, Vancouver Island
Part of Anthony Carter fonds
Image of a the only standing totem pole left at Uchucklesaht village site on the northwest coast of Vancouver Island.
Anthony Carter
Image depicts the exhibition The Pacific Passage installed at the Vancouver International Airport. The focal point of the photograph is Hetux, a large Thunderbird sculpture created by artist Connie Watts (Nuu-chah-nulth, Gitxsan and Kwakwaka'wakw).
An image of children sitting on a docked boat, other children standing and walking on the dock. According to the documentation included with the filmstrip, the description of the image states "Everyone going home on the school boat/fish boat "Betsy." The boat brings the children to school at nine o'clock and takes them home at three o'clock."
An image showing people standing on a dock next a to a sea plane with a boat nearby. Another plane in taking off in the background. According to the documentation included with the filmstrip, the description of the image states "Waiting for the afternoon scheduled flight of a "Beaver" float plane. Float planes come in twice a day (weather permitting) and bring passengers, freight, and mail."
The Strangled Man: Haida Argillite Carving in Retrospect
The Tree of Life, Ian Reid canoe
Part of Pam Brown fonds
The Women cut up Salmon to dry
An image of a drawing by the Kyuquot Elementary School children titled "The women cut up the salmon to dry".
Part of Anthony Carter fonds
Portrait of Theresa Gabriel, Stl'al'lmx of Pemberton Valley. A similar image is printed on page 39 of Carter's book Abundant Rivers, with the caption: "Theresa Gabriel 86 years old. An old timer in the valley, she has watched history unfold around her."
Anthony Carter