Cultural groups

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Cultural groups

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Cultural groups

2114 Archival description results for Cultural groups

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Portrait of a man and trophy

Portrait of a man and trophy

A smiling man faces the camera with his hands touching a trophy. He wears western clothing, as do the two partially visible men on either side of him. They are posed in front of a wooden wall.

Fred Ryckman

Poles of Ksrarom-Larhae

Poles of Ksrarom-Larhae

Image depicts two totem poles erected very close together. Read's notes indicate that these are the Poles of Ksrarom-Larhae, located in Gitsegyukl. "Snag-of-the-Sand-Bar pole. At the bottom the monster Hagwelaworh (?), a whale-like sea monster. "

Pole of Mawlarhen, close up

Pole of Mawlarhen, close up

Image depicts a close up of a totem pole, depicting the face of a human-like figure at its base. Read's note indicates this is the Pole of Mawlarhen at Gitsegyukla. "Raven at top; half pole uncarved; then large eagle, with folded wings; sitting frog; frog hanging with head down; bottom, the Man of the Comb whose hands, raised with palms forward are like native combs. Pole c1925, was about 40 years old. Erected to commemorate Mawlarhen and his sister Poking Bullhead. Carver local artist, Jimmy Good of the Fireweed phratry." See also item a034838 for another view of this pole.

Pole of Gurhsan, Gitsegyukla

Pole of Gurhsan, Gitsegyukla

Image depicts a totem pole erected in a farming area. It stands behind a rail fence and in front of a wooden barn. Read's notes state: "The Owl, or Grave-of-Gurhsan, form representation of the mythic owl. The pole dates from about 1913, was carved by Arthur Wilson, of Larksail phratry."

Pole and carver

Pole and carver

Image depicts a carver, possibly Godfrey Hunt, working on a partially carved totem pole. Depicted images include a Thunderbird and a figure holding a copper. This may be the St. Catherines. Ontario Centennial Confederation pole, carved in 1967.

Planning

Subseries consists of material relating to a commercial tour that focused on Kwakiutl land and culture. The records in this subseries take the form of notes, correspondence, and memoranda.

Pitt Rivers Museum

File contains photocopied images of Haida and Nuxalk masks housed at the Pitt Rivers Museum. Other textual records include information on featured Northwest Coast masks and correspondence between McLennan and the museum. The photographs contain images of masks and other Northwest Coast artifacts such as hats, combs, and carvings housed at Pitt Rivers Museum.

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